Friday, July 31, 2020

He's a Magic Man

 . . . got those magic hands.


Khnum fashions Ihy, Temple of Hathor, Dendera [detail from Inner Shrine]

Khnum [ẖnmw] / Khnemu / Chnum / Chnoumis [Χνούβις] is an ancient Egyptian god of the waters, and creator / fertility god associated with the inundation of and source of the Nile. His name comes from the root word nm "be united, associated with, be provided, endowed with," or "builder." 

Not only were the waters of the Nile important for irrigation and transportation, but its annual flooding brought the necessary fertile silt and clay to the surrounding land. Water is fundamental for life. Khnum was said to fashion the bodies of humans on his potter's wheel and place them in the womb of their mothers along with their ka ("spirit", or a person's life force). He was associated with overseeing pregnancy and the initiation of labor as well. 


Although we may sometimes forget, we all come from water. Water is our first home before we ever breathe air into our lungs. We gestate in the waters of the abdomen for nine months and then are born when the waters "break"/ issue forth. 

Khnum, from a tomb of a prince, Valley of the Queens, Luxor, Egypt, c12th century BC

Khnum is actually one of the more ancient of the Egyptian gods dating back to the 1st dynasty (2925-2775 BC). He remained popularly worshiped until the early centuries CE, however his name and physical appearance point toward his more ancient origins. Khnum was usually depicted as a ram or a man with a ram's head, but specifically with the twisting horns of the Ovis longipes palaeo-aegyptiacus, a type of domesticated barbary sheep found in ancient southern Egypt which became extinct sometime later during the New Kingdom (c.1567-1085 BC). His name in hieroglyphics also points to his early role as a water god. In hieroglyphics "Khnum" is written with a "water jug with handle" pictogram [as shown below] representing the phonogram nm (khnum).

Khnum / Khnemu Hieroglyph
Jug with Handle (nm) + Quail chick (or u) + Khnum (ḫnmw), seated deity determinative

As a primeval god, this water jug is a symbol of greater importance than it may first appear. Remember the heavens themselves were described and imagined as water/s and the gods were shown traveling these "waters" in barques. The Milky Way was sometimes described as the "Nile in the sky." So the dramas that played out in the sky with the sun and stars were reflective and analogous of happenings below on earth. Just as the importance of the fertile fresh waters of the Nile were known to the Egyptians to be essential for abundance and life, so too, the gift of water from heaven was understood as it pertained to the spiritual life and provided life and health to the body. 

Khnum-Ra traveling on the Solar Bark, from House of Eternity Seti I, KV17, West Uaset, diospolis Megale-Thebes

In this sense we can connect Khnum with the symbolism of Aquarius (Gk. Hydrokhoos) the Water Bearer. Even if only based off of the fact that the depictions of Aquarius have  nm, i.e., the water jug, and thus the name of the god Khnum implicit. Khnum is quite literally the Water Bearer. 

Water flowing from knum - image tarot.com

The wavy lines, as well, that denote the symbol for Aquarius [seen above] are themselves components of the determinative / logogram for "water; wave; to drink; to wash" in ancient Egyptian hieroglyphic writing, which is made with three wavy lines stacked together. 

[also of note, Khnum's horns visually make this wavy water line symbol as well which represents the letter or phoneme 'n' in hieroglyphics] 



"water; wave; to drink; to wash" - mw

Babylonian astronomers identified the constellation of Aquarius as representing the god Ea, or "The Great One," which was often pictured with an overflowing vessel. In ancient Egypt, the water bearer's jar [*Khnum] was said to cause the spring overflow of the Nile when it was dipped into the river. space.com, Aquarius
Not all water / drink is equal, however. Water can be stagnant or fresh. The best water is that which is the cause of health, fertility, rejuvenation, and life. This water of life or living water is a gift. 
Khnum represented the powers of these potent regenerative waters of life supplied to the world in the form of this vessel or pot. 

Potent is from Latin potentem (nominative potens) "powerful," present participle of *potere "be powerful, able, capable." Khnum was most definitely then a Potere (powerful) Potter and pater ("father" in Latin) of the gods and humans. The ultimate PIE root of "potent" is said to be *poti- "powerful; lord". 


Khnum holding was scepter "power, dominion," and ankh "life"

These potent waters are most potable as well. Potable is not immediately and obviously connected to this concept of "potent" itself. It comes from a word meaning "to drink". Potable is from Old French potable (14c.), and directly from Late Latin potabillis "drinkable," from Latin potare "to drink" (from PIE root *po(i)- "to drink").

We see a noun form of the word potare "to drink" used here in the Vulgate,
caro enim mea vere est cibus et sanguis meus vere est potus 
[for my flesh is true food and my blood is true drink.] John 6:56
It's not crazy to think that these concepts are somehow related, however, namely the symbol of the potent potter, i.e., a pot (of sorts), and what is in the pot, i.e., drink (potus); potent, potpotable. Khnum is a Poti (Powerful Lord) of the powerful / potent potus (drink).  

The etymology of the word "pot" is said to be of uncertain origin, however. 

Nevertheless the concept of pot (a thing which holds liquid / drink) and drink (potare / potus) in this case are easily related in their association with this god (Khnum). The fact that the Divine Potter is intimately connected to both a vessel (pot) and water (and remember the hieroglyph for water [three wavy lines] also can have the meaning "to drink") lead to the consideration that the word "pot" and certain words for drink might ultimately be connected to the notion of things related to this powerful / potent god.

And there is, in fact, an early ancient Egyptian god who has connection to this particular word forming sound "pot", and he is also related in concept to Khnum. Ptah Peteh pth (pronounced Pee-tah) is the primordial mound / land, therefore rock (Pee-ter), also patriarch and pater ("father"), which rose out of Nun (primordial waters), or we might say rose out of none / nothing; the abyss. 


Ptah, from Tomb of Tutankhamun, Gilded wood, faience and glass., 1321-1343 BC, 18th Dynasty, Valley of the Kings


Originally Ptah, or Ptah-Nun is thought of as the Divine Potter like Khnum. And his potter's wheel was the wheel of the revolving heavens, or sky waters. Ptah too was Poti (powerful; lord). 

There was much mingling of the concepts of the ancient Egyptian gods over the millennia since they are really representative of concepts, and powers of nature personified. The transliterated word which we translate as "god" in ancient Egyptian is nTr / neter / netjer and plural nTrw / neteru / netjeru. This word pertains to divinities, spirits, and cosmic concepts. 

Neteru / Netjeru / nTru in hieroglyphic form written by the three flagsCoffin of Paduamen[detail], Egyptian Museum Cairo, 21st Dynasty (c.1069-945 BC)

Over thousands of years of time, and introduction of different peoples and cultures the stories / mythologies shifted and mingled, and "different" neteru would become prominent. Sometime around 2686 BCE Upper Egypt (which is actually geographically south) invaded Lower Egypt to the North and unified the two kingdoms. Khnum represented Upper Egypt whereas Ptah-Tatenen represented Lower Egypt. Both were considered to be self-created creators. 

And we can look at other so called water gods and see connection of concepts with Khnum and Ptah as well, such as  the Sumerian Enki and Greek Poseidon which was discussed in a previous post 
[You're My Everything], whose names have origins in words for both land and water as well. 
Poseidon is from Poseidaon / Poseidewanos in Mycenaean, and in Aeolic is Potaidaon, Doric Poteidon / Poteidaon / Poteidas, said to be perhaps from PIE *potis "husband, lord". The second element is debated as to whether or not it is related to the word for "earth" da in Doric, from of ge (meaning "earth" as in Gaia), or from Doric dawon "water", as in either "Husband / Lord of the Earth" or "Lord of the Water". This combination of earth and water is a bit like the combination of the two Egyptians gods Ptah and Nun. Perhaps there is a bit of truth in both. Ptah-Nun / Potaidaon the divine potter of the waters of the universe.
[This is also in concept like the Sumerian god called Enki "Lord of Earth" / in Akkadian called, Ea "House of Water," god of crafts, fresh water, seawater, wisdom. As opposed to the a Sumerian, Enlil "Lord of Wind" (like the Egyptian Amun), and the Sumerian, An "sky", like the Greek Uranus / Ouranus, personification of the sky.]
 You're My Everything, Chthonic Kore, May 2014 
Enki / Enkig (Sumerian) / Ea (Akkadian) was Lord of Water, like Khnum, and especially the freshwater sea (living water), or groundwater found within the earth, called the Abzu (Sumerian) / Apsu (Akkadian).
 



The Adda Seal, an Ancient Akkadian cylinder seal showing (from left to right) Inanna, Utu, Enki / Ea (with water issuing from his body?), and Isimud (c2300 BC)

However, one difference between Ptah and Khnum, and Enki and Poseidon is that Ptah and Khnum were said to be self created, whereas Enki had parents, Anu and Nammu, and Poseidon's parents were Cronus and Rhea. What parents did Ptah and Khnum have? They had none. Rather, they came out of Nun/Nu, the primeval waters.  


Nu Hieroglyphics- pot phonogram nw / nu (x3) + "sky, heaven" pt (not spoken) + three wavy lines "water"

Nun Nu was also one of the oldest of the Egyptian gods. His name meaning "primeval waters", but also associated with the forces of chaos; waters of chaos. We can maybe view Nun as the "deep, waters" of as referred to in Genesis.
In the beginning God created the heavens and the earth. The earth was without form and void, and darkness was over the face of the deep. And the Spirit of God was hovering over the surface of the waters [Nun]. Genesis 1:1-2
Nun represents the waters of the heavens, or the vastness of the abyss of space, the many waters, represented by the three pots (nu nu nu), and specifically the waters of the pt "sky, heaven". So in this hieroglyph of Nun we can see visually the correlation between the hieroglyphic symbol which resembles a pot, forming a name meaning "primordial waters", and the similar to "pot" soundpt (represented with the platform hieroglyph), meaning "heaven / sky". "Sky" is pt, and the pots hieroglyphs, i.e.,  phonogram nu, represent Nuwho is the waters of the sky. And Nu / Nun was in fact sometimes combined with Ptah as Ptah-Nun. So, this "pot" sound meant "sky" in ancient Egypt, but the sky was in fact considered to be a type of waters. 

Another Egyptian goddess, Nut Nuit, also had a pot for her symbol, not unlike Khnumwhich she was depicted wearing as her crown. Whereas Khnum's hieroglyph is a large water jug (ẖnm), Nut's is a smaller spherical pot (nu) as is used in the hieroglyph for Nu / Nun.


Nut literally wearing her name on her head, a (nw / nu) "pot"


Nut Hieroglyph: "Pot" nu / nw + "bread bun" phoneme [indicates feminine gender] + pt "sky" [not pronounced] + seated goddess

Nun represented the many / infinite waters of heaven, and Nut which was written with one pot (nu) represents our particular sky / heaven / pt; one container or pot of water(s), our part.

Nut Nuit Nwt was the goddess or personification of the sky / heaven. She was often depicted as a woman of the night sky, with stars covering her body arching over the heavens. She was also sometimes depicted wearing a water-pot crown, identifying her by her hieroglyphic name symbol, (nu / nw) the pot / vessel. So, there is the conceptualization of the sky being a container of the waters of heaven in the form of a water-pot.


Goddess Nut [detail] depicted as the starry sky arching over creation as the vault of the heavens, Ceiling of tomb of Ramses VI, Valley of the Kings, 12th century BC

The barque of Ra traversed these waters of the heaven every day. He (Ra / Re the Sun) entered the body of Nut through her mouth in the evening and was reborn every morning after traveling the perilous journey through the hours of the night in the underworld with Khnum as one of his protectors.
[Khnum] Considered to be the ba of Re - this might be an Egyptian pun on the fact that the ram was also called ba - he helped Re travel through the underworld each night on the Solar Barque. In the pyramid texts (Utterance 300), the barque was referred to as the "Ikhet Barque wich Khnum made", so not only did he defend the barque, but Khnum was thought to have created it as well. In this form he was often called Khnum-Ra and wears the sun disk of Re. by Caroline Seawright -Tour Egypt
So this idea of Khnum as Lord of the Water can perhaps be likened to a captain of a ship; one who masters the waters, and brings order to (defeats) the chaos of the waters [symbolized by the serpent Apep / Apophis (Greek)], whereas Nun is the water/s. 

Captain Khnum on the Solar Barque

Khnum is a source of, or he portions the pure and potable waters, symbolized by the large water jug, nm (such as were used to hold and provide drinking water and water for ritual purification [especially in times before indoor plumbing]),

Julius Schnorr von Carosfeld 1819 - The Wedding Feast at Cana - six knum (jars) filled with water

also symbolizing his role as the source of the waters of the Nile and the inundation ("watering") which was so necessary for life. He is the Lord particularly of this life giving type of water, or drink. However, "water" here does not simply stand for the element H2O, but also, other kinds of waters which sustain the life of the spirit and cause bodily health.

This concept of living water is a concept that comes up in many spiritual traditions such as this passage from the bible. In Hebrew it is, mayim "water, waters" chayim "living", or in Aramaic (the language the conversation would have probably taken place in), mia chi
A woman from Samaria came to draw water. Jesus said to her, "Give me a drink." (For his disciples had gone away into the city to buy food.) The Samaritan woman said to him, "how is it that you, a Jew, ask for a drink from me, a woman of Samaria?" (For Jews have no dealings with Samaritans.) Jesus answered her, "If you knew the gift of God, and who it is that is saying to you, 'Give me a drink,' you would have asked him, and he would have given you living water." The woman said to him, "Sir, you have nothing to draw water with, and the well is deep. Where do you get that living water? Are you greater than our father Jacob? He gave us the well and drank from it himself, as did his sons and his livestock. Jesus said to her, "Everyone who drinks this water will be thirsty again, but whoever drinks of the water that I will give him will never be thirsty again. The water that I will give him will become in him a spring of water welling up to eternal life." The woman said to him, "Sir, give me this water, so that I will not be thirsty or have to come draw water." John 4:7-15

When viewed in this light, this type of "water" seems to be imbued with some sort of supernatural power or magic.

Heka - photo by Julie O. /chthonickore

Heka / Hike was the ancient Egyptian god of magic and medicine, and said to be son of Khnum. His name is identical with the Egyptian word translated as "magic," heka. He was also one of the primordial gods, or "powers," who enabled the act of creation and sustained life.
Heka was the manifestation of heka (magic) which should be understood to be natural laws which today would be considered supernatural but, to Egyptians, were simply how the universe functioned. The gods provided the people with all good gifts but it was heka which allowed them to do so. Ancient History Encyclopedia: Egyptian Gods - The Complete List 

So, not only was Heka considered to be a neter (god), but one could practice heka "magic" itself to bring about desired outcomes. This is why heka was very much intertwined with medicine as well.
Egyptian doctors (known as Priests of Heka) were not trying to trick a patient with some slight of hand but were invoking real powers to effect a cure. This practice (heka) called upon the deity which made (Heka) as well as the other gods who were thought to be especially helpful in whatever disease they presented itself. Egyptologist Jan Assman explains: 
"Magic in the sense of heka means an all-pervading coercive power - comparable to the laws of nature in its coerciveness and all-pervadingness - by which in the beginning the world was made, by which it is daily maintained, and by which mankind is ruled. It refers to the exertion of this same coercive power in the personal sphere. (3)" 
In medicine, the laws of nature as personified by the gods were invoked in order to cure a patient, but heka was also practiced in many other areas of one's life and, often, in the same way.  Ancient History Encyclopedia, Heka
The hieroglyphic spelling of Heka includes the word ka the "vital force", one of the parts of the soul in the Egyptians' complex view of the soul. One of Heka's titles was "He who activates the Ka". It is Khnum who was said to be responsible for creating a person's Ka, and Khnum was also known as the father of Heka.

Heka hieroglyph - phonogram h "wick, twisted flax" + ka "upraised arms" + seated god / neter (determinative)

It is interesting that we have these words in other languages having to to with magic or the occult which seem to relate to this word for magic, such as hex "to cast a spell on; practice witchcraft", from German hexen "to hex"; hexerei "witchcraft, wizardry, sorcery"; die hexce "witch"(f.)[pronounced hexa]. However, the etymology of the word hex is said to originate from Middle High German hecse, hexse, from Old High German hagazussa "presumably" related to the origin of the word hag, and this word "hag" itself said to be "probably" from the Old English hægtes "witch, sorceress, enchantress, fury," which is from Proto-Germanic *hagatusjon . . . which is itself of unknown origin
The first element [hag] probably is cognate with Old English haga "enclosure, portion of woodland marked off for cutting." [OE]
However, it still seems very likely that the words, hex and hag, could have been somehow intertwined or influenced by this most important ancient concept of "magic", i.e., heka from Egypt.  

This idea of "enclosure" has very much to do with magic. So a hag could be someone who deals with these sorts of things, i.e., haga (enclosure). A witch (hexce) is a circle drawer.  In this sense we might say a witch is a hedge (n.)[related to OE hagawriter as well as a hedge ridder.

The Magic Circle - John Williams waterhouse, 1889, London

In ancient Egypt protective circles were called shen (šn/plšnu) "circuit, ring". What we call cartouches are elongated shen rings which encircled names to offer protection to the individuals. The shen (cartouche) as a hieroglyph also came to be used to represent the word "name".

Cartouche of Hapshepsut (1507-1458 BC) - on obelisk, Luxor, Egypt

name is a point of vulnerability. Magic could be worked against (or for) a person or a god using their name. As in this story, Aset / i.st Isis [from the Greek rendering] tricks Ra into giving her his secret name. Ra is bitten by a snake which Isis makes from his spittle and mud, and Ra is in great pain. Isis then tells Ra that she needs his secret name of power in order to heal him from the poison. Ra says:
The father devised the name. I have many names, many, forms, he whose form is in every god, who is called Atum-Horus-Hekenu. My father and my mother told me my name and I hid it from my children, in my body to prevent it happening that a male or female magician (heka) strike against me. paragraph 5
Then said Isis to Ra: 'Tell me your name, my divine father. A man lives when called by his name.' paragraph 8
Then said Isis to Ra: 'Your name is not among those you have told me: tell it to me. The poison leaves a man when his name is pronounced.' paragraph 9

The makers of these name enclosures (and other protective amulets) would have been the practitioners of heka. We might call a shen ring then a heka circle; a "magic circle."


Shen Ring - from Global Egyptian Museum

Creation itself, the universe (lit. unus "one" + versus "turned"), is a certain magical enclosure. It is prescribed with certain laws and boundaries. The universe is our portion of the infinite, or maybe we should say, portion of infinite potential (which is chaos), it allows us to have this ordered experience rather than a turbulent swirling amorphous hellscape nightmare. That's not to say life isn't difficult and intense here, however it has definite order to it, it is one thing, i.e., universe, and that is something to work with. It is our pot (nu) or portion . . . or maybe we could say poterion.
"You don't know what you are asking," Jesus said to them. "Can you drink the cup [potérion in Greek "drinking cup" or "portion that God has chosen" ] I am going to drink?" "We can," they answered. Matthew 20:22
The shen ring itself has certain resemblance to an inverted nu "pot" hieroglyph. A pot seems to be somewhat like a 3D representation of a shen. And Nut the goddess does in fact represent our heaven / sky or enclosure. So we could say Nut is a powerful haga (enclosure). She is in fact this "pot" that is a magic circle that is our dome, i.e., domicile, home. 

Nut-like image of the night sky, or the Nuit sky

Our universe is basically a Nut-house. 

The word magic comes from *magh- "to be able, have power," so this word is pointing to something, or someone who is potent and powerful, not just someone performing mere tricks and illusion. It is ironic that people whom we call magicians today are actually using science and not magic. They use knowledge of sciences such as optics, to create illusions (smoke and mirrors), and / or they become good with physical feats and tricks, such as sleight of hand, etc., however, this is not heka. As far as doing magic, they are really just fibbers. A real magician is someone who is actually able to accomplish things (as they are claiming) and have power using the more occult / hidden or misunderstood forces of nature. 

Magic in the sense of heka isn't fake. And so it also isn't differentiated from the force, or way by which the gods, are able to perform "extraordinary" or healing tasks; what we might today call "supernatural".  

Moses, with Aaron and Hur assisting, performing heka by the direction of the LORD (YHWH), holding up his arms (Ka) during the Battle of Rephidim - John Everett Millais, 1871
"As long as Moses held up his hands, the Israelites prevailed, but whenever he lowered his hands, the Amalek prevailed."  Exodus 17:11
The use of the word supernatural meaning "of or given by God," came into use around the early 15c, from Medieval Latin supernaturalis "above or beyond nature; divine." However, heka "magic" wasn't considered to be beyond the natural in the sense that it came out the order of the universe and was used to create the universe. Heka was available to all, to gods and to people (although not all were learned or good practitioners of heka). So in this understanding there isn't really a distinction between magic and miracle. 

All miracles "wondrous works of God," are accomplished through the use of this kind of magic. And the more magh, the more poti the practitioner, the greater the work will be. A very magnificent magician might make matter with merely a mutter . . . 
And God said, "Let there be light," and there was light. Genesis 1:3
The use of magic heka, i.e., causing something to be such as it is, is often accomplished through a intimate understanding of the nature of creation; working with or being in touch with / in the right relationship with, both the seen and unseen, the apparent and hidden forces of nature at every level. Unknown and unseen forces, are just as much a part of the equation as the known or established known (scientific). Just because something is not known or recognized as a cause, does not mean it is not in play. 

The science of a thing doesn't need to be fully understood in order to accomplish results. In other words, we are able to come to a certain kind of practical truth and use tools even without really knowing what we are doing. In this quote from Terence McKenna, this point is illustrated with the term "model".
. . . In the 20th century a slight epistemological sophistication leads to this word "models", where we say we are "modeling" reality. And our model is only good as we need it to be. If we are trying to model the flight of an artillery shell, the model needs to be only good enough to get to the artillery shell to its target. We don’t need to understand the essence of lead, or the nature of motion there, we simply need the model to kick out the data that interests us . . . 
Then when we ask the question, "Can we know the truth?" in instances like this we say,
. . . It is true enough. Excerpts from audio of Terence McKenna(1946-2000) on why there is congruence between the mental world of human beings and the world of abstract mathematics and the world of nature. YouTube link here 
We make use of models and other tools all the time. Our tools can be scientific (that is understood), or magical (occult). And sometimes, even, what is scientific to one person seems occult to another. For example, people use a wonder of science every single day, a tool called a smartphone. However, most people have very little or no clue as to how it works, yet it allows them to do a myriad of extraordinary things that were yesterday's science fiction, such as video chats, immediate access all sorts of calculators, weather predictions, time keeping, etc. If someone was asked if they know how their smartphone works, they might say "yes", because they know enough, they know how to make it work for their purposes, but how it is actually operating may as well be by magic. We are constantly acting on our experience of what is “true enough”. 

"Let there be light!" With my magic wand "finger" I touch the magic screen icon and raise the light level. –screenshot by Julie O.

The practitioners of heka, were intimately connected with medicine as well. Someone who is concerned with healing is concerned not only mapping out a science, but also with creating outcomes. It is of the utmost importance for medicine to be effective. It is a matter of life and death. So, if by practicing "magic" certain results of health are achieved it is definitely a part of medicine.  

In Latin medicus "physician," is from, 
medeor "to cure heal," originally "know best course for," from an early specialization of PIE root *med"take appropriate measures". [OE], medical
Medical tools and measures -photo by thecollectiveinvestor.com

Which is interesting because, given the particular pronunciation of "med", it can sound very similar to "mat", and Maat / Ma'at / Mayet was the primordial ancient Egyptian goddess and concept of truth. Maat created, or was the order created out of chaos at the beginning of the universe. Maat was the foundation (mat) or platform upon which creation rested. Maat also included the concept of justice and balance. A person's heart was weighed, or we could say measured (from past participle of Latin metiri "to measure," so in a sense it was meted (maated) against the feather of Maat after death. If the measure of the heart of the deceased against the feather (maat) was not just, the punishment was meted out not by Maat, but rather, Ammut / Ammit the "Devourer of the Dead," thus suffering the second death. What Maat was mattered. To consider or honor Maat is to med- "take appropriate measures".

Ma'at wearing her symbol, ma'at(Ostrich Feather) 

The practitioners of heka would be very much concerned with this notion of "truth" in order to determine the best and effective courses and appropriate measures to bring about the health of mind, body, and spirit. So perhaps we might call them maatics (medics) with maatical (medical) knowledge. However, their knowledge went beyond the strictly medical. Whereas Maat was more this weighable, measurable, mathematical or scientific truth, Heka was the more occult (hidden / concealed) forces or workings underlying creation. What is not immediately apparent. And what do we do when we don't know? We raise our arms. What the Heka?

Ka

The best medicine would definitely include knowledge of both the seen and unseen, tangible and intangible forces and causes in order to be most effective. Anyone can practice medicine but if the practice is not bringing about the desired outcomes, then it isn't really medicine is it?

Medicine, other than being a practice, can also have the meaning of something like a drug or potion. Drinkable medicine is a kind of potion. 



Liquid Medicine

Potion is defined as, "a liquid with healing, magical, or poisonous properties." So it can be a drug or tonic to cure disease, something such as a love potion meant to bring about a certain outcome not having to do with the health of the body, or it can even be meant to effect the opposite of health, i.e., a poison. Both potion and poison come from the same ultimate root as potable, PIE root *po(i)- "to drink". They are things to be drunk. They are drink. 

Potable Poison / Potion - photo by Julie O. /chthonickore

Potion is taken from the Old French pocion, and is from Latin potionem (nominative of potio) "a potion, a drinking," also "poisonous draught, magic potion." Poison is "a deadly potion or substance (c. 1200)," also figuratively, "a drink" from Old French poison puison, as in when we say, "Pick your poison," we mean to choose a drink, but not a drink that is going to kill you / deadly. However, it is true that "drinks" like alcohol or colas, etc., are more or less "poisonous" or dangerous, unlike plain water. Even medicine or medicinal drinks can harm as they help and we have to weigh the risks. Is the cure worse than the disease? Are the side effects acceptable? 
"I know what you want," the witch said to her visiter. "You want to be rid of your fish's tail, and have legs so that the young prince will fall in love with you." She gave a repulsive laugh and added, "I will prepare  a potion for you that will make your tail disappear, and shrivel up into what human beings call legs. But every step you take will be like treading on sharp knives. If you put up with sufferings like these, I have the power to help you." –Little Mermaid, Hans Christian Andersen 
Preferably, medicine is helpful and not with harmful side effects. The best potion is least poisonous and most potable. Like water itself. Pure clean water, and maybe even water imbued with some heka. Not all water is equal.

Water made more potent / potable by the vibration of positive sigils -photo by Julie O. /chthonickore

Such as the regenerative waters of Nun.
The sixth hour of the night (midnight) contains the main and focal moment of the Amduat: the actual moment of the renewal of Re with the reunion of his ba-soul with his corpse, described in the text as the union of Re with Osiris. Re's solar bark has left the desert land of Sokar and entered a new region, deeper, darker, called the 'waterhole of those of the netherworld' where the presence of the primeval ocean Nun offers the necessary regenerative powers to start a new life. - Section of the papyrus belonging to Nesmin, with the sixth hour of the Amduat c. 300 - 275 BC, Royal Collection Trust

These waters are potent; a powerful potus or potion. But why? What is it about the water that causes regeneration? Is it science? Is it magic? Is it a miracle? 

What happens when we look closer? What if we look to its smallest particles, or might we say the Ptah-cles? The smallest material arising out of nothingness,
or the fundamental building blocks.


An Artist's rendering of an Atom

Ptah is known as the primeval mound, and Khnum is the builder. We can think about these neteru at the microcosmic level as well as the macrocosmic. Matter is actually made up of not smaller and smaller pieces of matter, but rather, at a certain level it is made up vibration. A "first thing" arises at some point which is not built from other matter, but which itself forms the basis for matter, such as what we call atoms (from Gk "uncut; indivisible"). But of course we can go even farther to describe subatomic particles; the protons (from Gk "first"), neutrons, and electrons. And, at an even smaller level protons and neutrons themselves are made up of smaller elementary particles called quarks.
An ordinary proton or neutron is formed of three quarks bound together by gluons, carriers of the color force. Above a critical temperature, protons and neutrons and other forms of hadronic matter 'melt' into a hot, dense soup of free quarks and gluons, the quark-gluon plasma. LiveScience, 7 Strange Facts about Quarks
Now that sounds like a primeval ocean! 

Fundamentally, however, matter is said to be made out of atoms as the building blocks such as hydrogen which is one atom made up of a single + proton and - electron bound together. These elementary particles get together and vibrate . . . and when things vibrate we get waves. On the level of quantum mechanics there is an ambiguity between particles and waves. These particles are not simply particles. Particles such as photons and electrons act like both particles and waves. Perhaps Ptah and Khnum are Lords of these waters / waves as well. 

Vibrational Waves

The "primeval waters" of the universe are ordered (vibrated) in certain ways to create. When God speaks (vibration) into the waters, light (which is waves) come to be. So we can say God creates out of Nun (the primeval waters), but Nun is not entirely nothing. It is something that vibration (speach) can be applied to to create. So this "water" has potency, or maybe we could even say IS potency. And it has the potential to be shaped . . . 

On the microcosmic level, bringing order to the waters and creating / fashioning / shaping we might call tuning. In this sense we could say that the Divine Potter tunes us into being from the matter that is created from vibration. Tune is a variant of tone, from Greek tonos, originally "a stretching." A tuner of a stringed instrument stretches and relaxes the strings to get the correct tone, and a potter is said to "pullclay to shape it, so these concepts are not altogether unrelated.

Both Ptah and Khnum, the Divine Potters, are often portrayed holding was uas scepters, which when you look closely have an odd shape that resembles a tuning fork / key at the base. Was / Uas as a hieroglyph had the meaning "power, dominion". 


Khnum holding Was Scepter and Ankh - base relief Temple of Seti, Abydos, Egypt
Thou dost (rule / break) them with a (scepter / rod) of iron, as a (potter's / maker's / fashioner's / creator's) vessel thou shalt dash them. Psalm 2:9
Vibration has the power to form and shape. And sometimes the vibrations produce waves which are so strong they can break things (such as glass) or break things apart (such as bridges). Think of that Lord of Water, Neptune, god of earthquakes.

We see that different frequencies of vibrations produce universal set patterns. These patterns then are dictated by the universe (the creator) and create what is. 


    Cymatics in water - from Kyma 'wave" in Greek

The set patterns dictate what is, and since creation is good, we could say that sickness is anything deviating from the designed plan, and that which conforms or is vibrating in harmony with the plan or law of creation would be healthy. So we could say the potable water, the drink, given by the creator, i.e., the living water, may better be called the "living waves" providing good vibrations or health. 

These "waves" issue from Khnum, as a kind of nomos ("law" in Greek). The Greek term for the provinces of ancient Egypt was nome, from the same. Each nome had its own totem or symbol, so we could say the symbol of each nome was in fact the name (Old English nama, noma), given the nature of hieroglyphs. Maybe this concept of the Divine Potter as Khnum / nmw, is related to these similar sounding (vibrating) words. In that case we could think of these waves or the living water as issuing from the god who names (Khnum), i.e., who is the vibration (waves) that creates everything and makes things and people who and what they are, and wholly / truly themselves, whole and healthy. 

But now, thus says YHWH, who created you Jacob, and [*the potterwho formed you Israel, fear not for I have redeemed you. I have called you by your name and you are mine. Isaiah 43:1  [* from yatsar ]
Remember it was YHWH who gave Jacob this new name, Israel. Perhaps the meaning here could be that YHWH created [bara' in the sense of hewn / cut] him as Jacob but then fashioned [yatsar] him into Israel (at their encounter when Jacob wrestled with God), as the Lord of the Waves, as the puller of these waves, nmw, the namer, the yatsar [creator / fashioner / potter], Jacob was [re]fashioned Israel. So, hnmw, gave Jacob his new vibration, and the new vibration is a new law (nomos), and therefore a new name (onouma)
Whoever has ears, let them hear what the Spirit says to the churches. To the one who is victorious, I will give some of the hidden manna. I will also give that person a white stone with a new name [onouma Gk] written on it, known only to the one who receives it. Revelation 2:17
Another word for "name" in hieroglyphs is rn. It is the r "mouth" hieroglyph over the n "water wave" hieroglyph. So the word "name" is represented by the (water / wave) vibration from the mouth, as well as the shen, i.e., the pot shaped enclosure.  
This seems to lend validity to the idea that the Egyptians considered speech / vibration to be a type of water (remember the three waves hieroglyph is said to mean all of these things, water=wave=to drink=to wash) And the Lord (Poti) Potter uses this water to create, as the goddess ist (Isis) uses it to heal. The rn "name" is truly a rune, from Old English run, rune "secret, mystery, dark mysterious statement, (secret) council."
pry tA mtwt s dm.tw rn.f 
The poison leaves a man when his name is pronounced. A Ramesside Incantation to remove poison from a patient, Isis and the name of Ra, Midddle Kingdom

 

The centurion replied, "Lord, I do not deserve to have you come under my roof. But just say the word [logo / λόγω] and my servant will be healed. Mt. 8:8

Creation is a dark mysterious statement. All that is, was, and ever will be was fashioned in a single moment, or named in a single Word of perfection. It is this concept that allows for magic. There is a single template (the Logos / Word / OM) we are traveling in, around and through at every moment. It is because of this fixed reality of ordered infinity that we get magic (heka) as the offspring of the omnipotent creator of the universe. An unmagical world is not the product of an omnipotent Magh-ician. Magic is the result of the self similarity and nature of oneness which makes up the universe. The image which is creation at all levels (both the macrocosmic and microcosmic levels) is perfect and can never be compromised or altered in any way fundamentally. It is an image of the ALL. 

Cosmic Christ - The Living Water / Waves / Potus which causes health
I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven . . . – Nicene Creed
Therefore to know anything is, in a sense, to know everything. Or, we could say, to really know any one thing is a tool, or a truth that can be applied to know, or accomplish other things. This is how the magical can supersede or supplant, at times, our limited science and scientific knowledge. Sometimes we come across ways of accomplishing outcomes without being able to explain how they are working, but they do work. And they work because of the fundamental unity of all things. 

To again quote Terence McKenna (earlier in his talk),
. . . Processes always occur in the same way and this is why there is congruence between the metal world of human beings, and the world of abstract mathematics, and the world of nature. These things are, as it were, simply different levels of condensation of the same universal stuff. This is why the concept of truth can have some meaning. Terence McKenna 
I Am . . .

It takes one to know one.

Your name is important. Your true name is a type of "living water," a vibration that shapes you into the best / healthiest version of yourself possible. 
What is your name of power?    
This is who you are.
This is who you are.
This is who you are.

Magic!





Saturday, March 14, 2020

Soft Apocalypse



We pause now as if in eclipse 
Settling in 
the soft apocalypse

Sometimes the scales are set to be tipped
Useless flailing 
A panic switch 
Riders are we! 
of this soft apocalypse

Let only goodness then pass your lips 
The sun always rises after it dips 
It sails the cool night
On the waves it skips over 
the soft apocalypse 

In the glory of morn lay scattered chips
When gathered again
Old paradigms shift
Purged but not broken to terminal bits
Thanks to thee softpocalypse 

-by Julie O./ Ember Elektra

*artwork, by Jo Alys Downs, Platero and I, 1957




Wednesday, February 19, 2020

Everyday Gray

Modern pewter is a gray alloy [a metal made by combining two or more metallic elements] of 85-99% tin mixed with approximately 5-10% antimony, 2% copper, bismuth, and sometimes silver. Ancient pewter, however, was a combination of approximately 70% tin and 30% lead. 

The word pewter is from Old French peautre, from Vulgar Latin peltrum, source of Spanish peltre, Italian peltro, being of unknown origin according to the online etymology dictionary [OE].


Pewter Plate on Pewter Background

Coming from the Latin peltrum, however, it seems reasonable that "pewter" could be connected to the PIE ([reconstructed]Proto-Indo-European) root *pel-(1) "pale". Pewter is a pale (gray) color. It does not tarnish but it can get dull over time, and the word pale, itself, comes from PIE root *pel-(1) "pale".

Metals are, in fact, sometimes named for their appearance / color. 


Silver for example is the "shining" or "white" metal. The abbreviation for silver is Ag, from Latin argentum, silver, silver work, silver money. Argentum is from PIE *arg- "to shine; white". 

If it is true that pewter is named after being pale in color, then it is similar to silver being named after its white / shiny appearance.

The English word lead is from Old English lead "lead, leaden vessel", from the Proto-Germanic *lauda- "lead," the origin of which is not agreed upon. 

However, one hypothesis is that it is borrowed from Proto-Celtic *øloud-io- ('lead'), which, if so, is related to the Latin plumbum. And, *øloud-io- is thought to be the origin of the Proto-Germanic *bliwa- (also meaning) "lead," which stemmed the German Blei "lead," which is further interesting given that the German word for the color blue is similar Blau "blue." And lead is sometimes described as a bluish metal. 


Blue Sky, El Escorpíon Park, CA, May 20, 2019, photo by Julie O. /chthonickore

The English adjective blue,
"of the color of the sky," c. 1300, bleu, blwe, etc. "sky-colored," also "livid, lead-colored," from Old French blobleu "pale, pallid, wan, light-colored; blond; discolored; blue, blue-gray," from Frankish *blao or some other Germanic source, from Proto-Germanic *blæwaz . . . [OE]
Ultimately from PIE *bhel (1) "to shine".

So it seems possible that the name for the metal lead could be connected to its pale appearance, especially given that in other languages lead seems also to also be named after its appearance. 

In biblical Hebrew, for example, lead is ophereth, from from aphar "dry earth, dust; ashes, dirt, earth, rubble, plaster, ground, mortar". So, might lead be named from its dusty or ashen (pale gray) color? Or if not, perhaps it is named for one of its states / appearances during the ore refining process, namely, a powder or paste.



    Lead - Pb - Plumbum Nigrum / Black Lead

Ancient pewter was made from tin and lead, and the two, both tin and lead, were both called the same, plumbum, by the Romans. The Romans called lead plumbum nigrumi.e., black lead, and tin was called plumbum candidum / album, i.e. white leadIn this case the meaning of lead as "pale", i.e. gray, gray-blue" makes sense; there is the dark gray " black lead," and the light gray "white lead," but only one of these we now call lead in English. 

Historically metals were not always properly understood and identified, which lead to some confusion about the naming of metals. Lead itself is bright (white) like tin when cut but tarnishes quickly, and it is often found mixed with other metals and then separated from these lead-bearing ores, such as from Galena, which is an important source of silver. The original usage of the Latin word for "tin," stannum, actually referred to a mixture of silver and lead rather than tin.


Tin - Plumbum Album/White Lead

And of course graphite (another "pale" substance, which is actually not a metal, but a form of carbon) was mistaken as being a form of black lead and called plumbago, derived from plumbum (lead). It is because of this confusion that modern graphite pencils are called "lead" pencils, when they do not contain lead.

Pewter is similar in its color to both tin and lead. Below are some examples of pewter, lead, and tin paint samples. There are many more tints/shades named after each metal, however, they are all just varying shades of gray.


Paint Color Samples 

The name of these metals are sometimes used as adjectives and are synonyms for gray, as with the paint colors, when they are referring to varying shades of gray. These colors are not made out of pewter, lead, or tin but just resemble the look of the metals. So, a person could say, "The wall is pewter," and mean that it is gray, and not mean it is made out of the metal pewter. 

In Greek pelios is "livid (dark bluish gray [i.e., leaden] in color), dark," and polios is "gray"(as in of hair, wolves, waves), from PIE *pel(1). So here again we see this root [*pel-(1)] sometimes related to the appearance of gray things and lead. It is also related to the appearance(color) of animals such as wolves and pigeons. Pigeon in fact, in Greek is peleia, pigeons being shades of gray, not unlike pewter. 



     Wolf Gray Textile

Pewter can also be related to another meaning of the PIE root (*pel-), namely, *pel- (3) "hide, skin." Wolves often have a pale or gray coat / pelt of varying shades, from white to dark gray, which could be said to be their "skin"(and their appearance). Pelt is a "skin of a fur-bearing animal," from *pel- (3) "hide, skin". Many types of pelts (from*pel-[3]) of animals are pale (from*pel-[1]) in color. The pelts of wolves are pale polios (gray), and even sometimes more pelios (dark or livid).

Magical Beasts Pop-Up, Illustration Anne Sharp(2003), photo by Julie O.

In Canto I of Dante's Inferno (begun c. 1308, completed in 1320) there is a description of three beasts guarding the way to the "shining Mount of Joy". The third beast is a She-Wolf,
 . . . And down his track, a She-Wolf drove upon me, a starved horror
ravening and wasted beyond all belief. She seemed a rack for avarice
[*tutte brame], gaunt and craving. 
Oh many the souls she has brought to endless grief! – Canto I, 50, John Ciardi 
Dante Running from the Three Beasts,1824-7, William Blake

Next we are told of the hound who will come and hunt down this wolf. The Italian text is,
Questi non ciberà terra né peltroma sapïenza, amore e virtute, e sua nazion sará tra feltro e feltro. – Canto I, II. 103-104
Peltro in Italian is "pewter". This phrase is somewhat enigmatic, and is translated in various ways putting different interpretations upon the word peltro.

In this English translation below, the Italian peltro is translated literally in order to keep in the style of Dante's rhyme, i.e., terza rema, "third rhyme". In English "pewter" does not rhyme with Fletro, as peltro does with feltro in Italian, so the word order is changed to rhyme "ground" with "abound" instead.
His food shall be not pewter, nor the ground . . . where either Feltro sets abound . . .  Translation in the tera rema of the original, by W.E. Painter, (1843)
The hound will not feed on pewter, nor the ground? What does that mean even? 

In some English translations license it taken with the rendering of peltro / pewter, as perhaps was the intent of the original. In this translation from Henry Wadsworth Longfellow, peltro/pewter is translated as "pelf", pelf meaning "money, especially when gained in a dishonest or dishonorable way".
He shall not feed on either earth or pelfBut upon wisdom, and love and virtue; 'Twix Feltro and Feltro shall his nation be; – Canto I, (1867)
And here, in the John Ciardi translation peltro is "loot",
. . . before the Greyhound comes to hunt her down.  He will not feed on lands nor loot, but honor
and love and wisdom will make straight his way.  He will rise between Feltro and Feltro, and in him
  shall be the resurrection and new day. – Canto I, stanza 95, (1954)
Ciardi's translation of the description of the wolf as "a wrack for avarice," avarice meaning "extreme greed for wealth or material gain," in the previous stanza [mentioned above] seems to support this translation of "loot", however, the word choice is, rather, a choice than a true translation of brame "craving, desire, lust, hunger," whereas avarizia "avarice" is not the word used in the Italian text.
Ed una lupa, che di tutte brame sembiava carca ne la sua magrezza ...
Therefore, this description does not necessarily point to greed for wealth specifically, but perhaps just ravenous hunger, or intemperate behavior in general. 

Earth, ground and land are all meanings of the Italian terra. This last translation of "lands and loot" seems to steer the meaning of what the hound shuns in favor of more honorable or spiritual fare, toward the sense of acquisitions and power, such as gained by conquering. So, "loot and lands" as fare, seem to points to a vice such as avarice specifically.


Roman Hunter, Dusan Markovic(2018), Deviant Art

It could be assumed that the word "pelf" and "loot" are used in the place of "pewter" because of the fact that money is made from metals, and pewter is a metal. So the assumption would be that Dante used the word peltro loosely to mean pelf/loot just because it rhymes with feltro, and not necessarily because it was the most appropriate word to use. 

As far as I know, the word peltro is not commonly meant to mean pelf or loot. And, the word pewter in English itself is not a common way to refer to money/coinage, even if the name of other metals are used in this way.

A common coin used during the Middle Ages was a small silver penny (pfennig) or denarius. Other metals in use for coinage during the Middle Ages were gold and copper



Silver denarius, dating to the year 77 BC, depicting the goddess Roma and the she-wolf(Crawford 388/1b)


I'n not certain that pewter specifically was used for any coinage in the early 1300's, when the Inferno was written. Pewter is not commonly used to make money. There is an instance of pewter, copper, and brass coins, known as "gun money"  being made by the forces of James II during the Williamite war in Ireland between 1689 and 1691. However they were designed to be redeemed for silver after the end of the war.

Silver can be used as a word to mean "money", as in silver coin, a person can be paid in silver(coin). However, the question is whether peltro (pewter) was meant to be used in this way to mean "money".

According to the etymology dictionary pelf (n.) is from mid-14c., "stolen goods," from Anglo-French pelf, Old French pelfre "booty, spoils"(11c.), of unknown origin. Its meaning as "money, riches," with pejorative overtone first recorded c. 1500. So it would be a more modern interpretation of the word "pelf" to mean "money" particularly rather than the more general "loot"(which is valuables as well as money). And it may not be the case that the word pelf evolved from some connection with the metal peltro (pewter) just because they both begin with -pel, even if this seems compelling, and a reason to use the word "pelf" specifically. 

The origin of pelf is said to be unknown, but is suggested as being possibly related to pilfer. In that case, if true, pelf would originate from the root *pil- rather than *pel-And this his makes sense when looking at the connection of the meaning of pelf to the definition of other "pil-" words such as pilfer and pillage. Pilfer(v.), for example, from 1540s, is from the Old French pelfre(n.) "spoils, boody" as well. Both "pelf" and "pilfer", being from pelfre, are said to be of unknown origin

However pillage, from late 14 c., which is similar in meaning to pilfer, is from Old French pilage "to plunder, loot, ill-treat, is possibly from Vulgar Latin *pilliare "to plunder," said to be probably from a figurative use of Latin pilare "to strip of hair." So if pillage is connected to the Latin word pilus (plural pili) "hair," we might connect pillage to the notion of pile "things heaped up", or "a mound," this idea coming from what is commonly done to pili "hair." Pili is piled on top of the head. And also, sadly, pili (the hair), with the scalp attached can be pillaged from a person's head.



Smaug (and his loot). Illustration by Livia Ruzz for the 1975 Romanian edition, The Hobbit

The point of this whole consideration being that word pelf would not be  etymologically connected to the Italian word peltro (pewter). And then, therefore, if this word, pelf, was chosen to translate the word peltro, it would have to do with the fact that pewter is a metal of value [it did in fact have high value during the Middle Ages], which might be considered "loot." But this loot, i.e., pewter (if meant to mean loot), would 1.) not necessarily have the connotation of "money" as such, rather just the notion of being of value. And 2.) peltro/pewter would not etymologically be related to the word pelf "loot." Pelf would rather have to do with piles of pilfered goods. 

It seems like the sense of pewter, if used to mean pewter "the metal," was not referring to pewter coins, necessarily, but rather as a synonym for articles of value (probably stolen), as in, loot. So the question would be, was the word peltro, as in "the metal" pewter, used in the 14 c./ or meant to be used in this case by Dante, as a synonym for loot? Furthermore, is the translation of "earth and pelf,"or "lands and loot" [being things which are presumably figuratively eaten], a meaningful/fitting juxtaposition to "wisdom, love and virtue (virtute)"? Is loot/spoils/pelf something that is figuratively said to be fed upon? And was the word peltro meant to mean something of great value, or was it actually the opposite, meaning something base or common?

Before answering that question further. I'd like to entertain a different possible hypothesis.


Might the word peltro possibly be calling to mind something pale or gray ("pewter" adj.) and maybe earthy, or not of particular excellence? The gray is mundane, it's not exciting like the colors of a rainbow. It's not that there is anything wrong with earth, or gray, but they aren't particularly thrilling or elevated fare either. So rather than being vicious, they are, rather, just base. Gray is unexciting. And the earth/ground is itself literally base, being the thing we stand on below the heavens. Creatures are made from the earth and that is meant to be humbling.
Then the LORD God formed a man from the dust [aphar] of the ground [adamah] and breathed into his nostrils the breath of life, and the man [ha adam] became a living being. Genesis 2:7, NIV 
Light Sculpture, by Paige Bradley

Yet, it came to pass that the adam (pl.) would be cast out of the garden from whence they came.
By the sweat of your brow you will eat your food until you return to the ground [ha adamah], since from it you were taken; for dust [aphar] you are and to dust [aphar] you will return. Genesis 3:19

"Migrant agricultural workers", Dorothea Lang, Nipomo, California, March 1936

Remember aphar in Hebrew is "dry earth, dust; ashes, dirt, earth, rubble, plaster, ground, mortar," and the word ophereth "lead" comes from this. Lead, which is another gray metal is a component of ancient pewter.

If you are what you eat, then eating earth points to being made of, or being of, the earth, and having earthly concerns and thoughts, and maybe not caring to endeavor to rise above this base nature, unlike the person who feeds off of wisdom, love and virtue. 


Sheaves of Wheat, Pslams of Joy, The Children's Bible, 1965, photo by Julie O.

Even eating what is grown or produced out of the earth, let alone dirt, such as, wheat/bread is still base to a certain extent because it feeds the body. Jesus talks of having food (and therefore eating of it) which is more spiritual in nature.
Meanwhile his disciples urged him, "Rabbi, eat something." But he said to them, "I have food to eat that you know nothing about."  John 4:31-32
and what was this food that he had? 
Then his disciples said to each other, "Could someone have brought him food?" John 4:33, NIV
No, 
"My food," said Jesus, "is to do the will of him who sent me and finish his work. . . John 4:34

And again, as Jesus said to the tempter in the desert,
"It is written: 'Man shall not live on bread alone, but on every word that comes from the mouth of God.'" Matthew 4:4, NIV
Temptation of Christ, Vasily Surikov, 1872

This meaning of peltro, as being something gray and of the earth, would seem to fit with the sense of the rendering of "terra né peltro" in a translation by Robert Pensky. He combines terra (earth) and peltro (pewter) into the single concept of "earthly fare." Earthly fare alludes to that which is common or base, as opposed what is virtuous and worthy. And thus it carries a negative connotation, as with the serpent in Genesis who was cursed to eat, or feed off of dust. 
So the LORD God said to the serpent,"Because you have done this, "Cursed are you above all livestock and all wild animals! You will crawl on your belly and you will eat dust [aphar] all the days of your life.  Genesis 3:14, NIV
The Children's Bible[inside cover detail], 1965, photo by Julie O.

So, is the hound possibly feeding off of wisdom, love and virtue as opposed to this earthly fare? Perhaps not feading off of earth (adamah) or dust (aphar), as an allusion to the creation story?

Intriguingly, it is not even a completely outlandish to say that an animal would eat earth and dust. In fact, some animals do eat dirt, even clay specifically. This practice is called geophagia (earth + eat). Geophagia was first described by Galen, the Greek philosopher / physician in the second century AD. He recorded how certain sick or injured animals ingest clay. It is a practice found in the human animal population as well.
In the south it was and still is a common practice. "I remember my mom and my aunties eating that white dirt like it was nothing," says Hilmam, who grew up in Greene County, Ga., and used to go with her family to dig for their own dirt to snack on. "It was an acceptable thing that people did."
"White dirt" is actually a soft, chalky clay called kaolin and is widely used to make porcelain, paper and paint. The mineral kaolinite is one of the most common in the world, and best-known deposits are located in the southeastern U.S. NPR, The Old and Mysterious Practice of Eating Dirt

Clay is a type of earth that is sometimes gray (or white, brown, orange-red). Clay is paleClay is gray earth. at times it named after its dusty or pale color as some metals are. 


     Gray / Pewter(colored) Clay

Argil is clay, and especially a white clay used by potters.

Argilla is "clay, argil" in Italian, which comes from the same root as argento "silver", and argent, i.e. *arg-So in this case clay (argil) and a metal (argent/silver) are named from the same word. Clay can have a silvery color as well as, or like, the metal silver. 


White Kaolin Clay Powder

Clay can also be named or described by its pale appearance, as some metals are.

It is interesting that a word for clay in Greek is pélos "clay, mud, slime, pug" in Greek. Does this have to do with the fact that it is sometimes pelios (livid; dark) or polios (gray)? This word is used in this passage from the Gospels when Jesus makes clay to use in a healing of a blind man. 
When he had said this, He spat on the ground, and made clay [pelon πηλòν, from pélos "clay, mud ('wet clay')] of the spittle, and applied the clay to his eyes. John 9:6 NASB
Jesus Heals a Blind Man

So the man was humble to have this mud spread on his eyes, and had to act in faith to go and wash in the Pool of Siloam instead of telling Jesus, "no thanks," and not submitting to this weird procedure that had no assurance of working. How many people are "blind" but will not be humble and submit to wisdom, love, and virtue in order to be healed of their blindness?  . . . Not accepting that they are dust. . . YET that they are worthy of being raised above their earthy nature? 

If clay (argil), especially white clay, is named from the same base as silver (argent), *arg-(to shine, white), then it doesn't seem impossible that other names for clay might come from clay's pale appearance, such as pélos (clay) with the PIE root *pel (1) "pale," embedded in the word itself. 

Therefore might peltros used poetically in Canto I possibly be referring to a kind of earth that is pale or peltros(adj.), or, clay? In this way peltros would be juxtaposed to terro, as things of the earth, or types of earth.
He shall not feed on either earth or clay, But upon wisdom, and love and virtue. . .
But, why not use argilla "clay" in the stanza if it was meant to mean clay? This would be for the same reason the word for silver (argento) would not have been used if pewter (peltro) was referring to money/pelf/loot. Neither argilla (clay) nor argento (silver) rhyme with feltro. But in the same way that peltro might be used poetically to refer to loot, might not peltro also bring to mind the idea of clay? Clay being both white and/or pale? So was the word peltro (pewter) used to mean something like clay or dust due to the fact that peltro rhymes with feltro at the end of the stanza?
Questi non ciberà terra né peltroma sapïenza, amore e virtute, e sua nazion sará tra feltro e feltro. Canto I, II. 103-104

It is fascinating that under this hypothesis, i.e.,  peltrum referring to clay or dust, that a Hebrew word for "clay" is tin (phonetic teen), also meaning "common." NAS Concordance says this is from (Aramaic) perhaps corresponding to tit "mud, mire, clay." So here a word which in English means the metal tin, in Hebrew, a similar sounding word means "clay." And clay can be tin, lead, or pewter colored. So literally clay(n.) is tin(adj.), and tin is "clay". Furthermore, pewter is similar in color to plumbum (lead and tin), so pewter(n.) is tin(adj.), and tin(n.) is pewter(adj.) as well. Therefore in this sense we can say clay is pewter

Tin, also, somehow inherited in its name the idea of something less pure than it actually is. Tin is an element designated Sn, from Latin stannum, and is not an alloy of various metals. However, before the sixth century stannum referred to a mixture of silver and lead rather than tin.
. . . the ancients obtained, as we do, a great deal of lead from argentiferous ores, from which they separated the silver and revived the lead. The ore was pounded very fine, or, as we say, stamped; it was then washed and roasted, and formed into  a powder or paste. This was then put in a furnace, and by the first fusion gave a regulous consisting of silver and lead, which was called stannum, and was the same substance as that known to our metallurgists by the name of werk.  The History of Inventions and Discoveries, Volume 4, by Johann Beckmann, p. 9
Eventually, however, this word, stannum, came to refer to tin, and in modern usage replaced the name plumbum candidum (white lead). The etymology dictionary says that stannum is a scribal alteration of Latin stagnum, which is also the source of the Italian stagno, French étain, Spanish estaño. So we can see from the French and Spanish rendering how the English word "tin" is related to stannum in sound even though it is not immediately obvious. And also how this Latin word stannum/stagnum (and Italian stagno) is similar to Latin stagnantem (nominative stagnans) "to stagnate," which is not an especially flattering connection.

Tin is something that needs to be extracted, generally, from ore. A chief source of tin is cassiterite. Tin is extracted by a process that involves smelting (which is extracting [metal] from its ore by a process involving heating and melting). 


     Smelting ore

Tin is a very soft metal, but is an important element when used in combination with other metals, such as copper in the making of Phosphor Bronze (an alloy), which is actually stronger and less corrosive than copper alone. An alloy is "a metal made by combining two or more metallic elements, especially to give greater strength or resistance to corrosion." So, perhaps it is because of this process that tin is related to stannum.
In Hebrew the name for tin also carries some negative connotation. Tin is bedil " alloy, tin, dross" in Hebrew, from badal "to be divided, separate," (therefore not unlike the process of smelting). So it is more of a generic name, but actually, the bedil of the bible, referred to an alloy.
The Tin of the bible ([kassiteros] in the Greek version) corresponds to the Hebrew [bedil], which is really a Copper alloy known as early as 1600 BC in Egypt.  Stannum Tin, Elementemology & Elements Multidict, elements, vanderkrogt.org
and in Isaiah this bedil is figurative of evil of Jerusalem [Brow-Driver-Briggs concordance]
I will turn my hand against you; I will thoroughly purge away your dross and remove your impurities [bedil]Isaiah 1:25 NIV
Also,
When I turn my attention to you, I'll refine your dross as in a furnace. I'll remove all your alloy [bedilayik, from bedil]. Isahah 1:25 ISV, Hebrew
So this word bedil, originally referring to an alloy of copper in Hebrew, eventually became the word used for "tin." And, tin, although not an alloy itself, is often used in the making different alloys. Pewter, on the other hand, is an alloy (of tin). And In Greek there is just one word referring to both tin and pewter.

Kassíteros in Greek is "tin," but also the adjective "pewter", the name having to do with a region where tin is mined, rather than a name deriving from its appearance. Pewter(n.) is kráma kassíterou, from kráma (alloy) + kassíteros (tin) is pewter(n.). So pewter is "alloy of tin" in Greek. Given these things, there is some argument for saying pewter, as an alloy of tin, carries with it some of the same etymological baggage as tin does, such as "dross." Not to say that tin or pewter are in fact "worthless," but they aren't considered the most noble of the metals (such as gold, silver and platinum).

So, where does this leave us in our consideration of the rendering of peltro into English in Canto I of Dante's Inferno? 

If left simply as "pewter," it is curious to the reader. Eating earth is one thing, but eating metal is another. It's not really possible for a hound to eat metal [However, there was some debate during the Middle Ages as to whether or not ostriches ate and/or digested iron. Midieval Animal Data-Network, Fact Checking:Can Ostriches Digest Iron?]

Shattered Teeth, Tom & Jerry

It is obviously meant to be taken figuratively. 

Given this, there are two meanings of pewter: 1.) pewter is a noun meaning a certain type of metal, and 2.) it is an adjective which refers to a gray color. And "pewter," as an adjective could perhaps then be meant to refer back to a noun (possibly dirt/clay) of the same color. 

Pewter if taken as a metal, and figuratively interpreted as "loot" or "pelf," has the meaning of riches (perhaps stolen goods). However, if peltro instead means something pale, like clay, the sense of the phrase terra né peltro translated as "earthen fare," figuratively means what is base, rather than meaning specifically lust or greed, and the word peltro is not directly translated.

Whatever Dante intended to mean by this word, peltro, we know that it, along with terra, is contrasted to wisdom, love, and virtue (which are themselves only figuratively eaten as well). An interpretation, such as proposed in this post, that peltro might allude to dust or clay (which may not be as much of a stretch in Italian as it is in English) offers a general and fitting contrast to the more noble fare of wisdom, love and virtue, and also nicely alludes to classic biblical themes, such as the snake in the garden, who bit the dust. 

The hound, however, was not another one who bites the dust . . . perhaps . . . 

But the answer doesn't seem to be black and white, rather, more shady, maybe even an everyday gray.


Albero di terra e peltro, Black and White Edit, art by Ailis O'Reilly


Albero dell'amore a colori, Original art by Ailis O'Reilly