Wednesday, August 18, 2021

The High Priestess – II

Wisdom is the state or condition, i.e., "-dom"  of being wise. Wise is from Old English wis "learned, sagacious, cunning; sane, prudent, discreet; experienced; having the power of discerning and judging rightly." From Proto-Germanic *wissaz, from PIE root *weid- "to see" 👁👁 (hence "to know" 🐍). In certain decks the High Priestess is called "the seer." 

Shaddowscapes Tarot, artwork byStephanie Pui-Mun Law 
Wisdom, knowledge, learning, intuition, purity, virtue.

Whereas the magician is *magh-, i.e. "powerful" and shows skill and ability in an outward extroverted way, wisdom is the more mysterious and subtle force working behind the scenes. She is the other, second, two, II. However, this does not diminish her dignity. She is the necessary hidden foundation of everything. 

The LORD brought me forth as the first of his works, before his deeds of old; I was formed long ages ago, at the very beginning, when the world came to be. When there were no watery depths, I was given birth, when there were no springs overflowing with water; before the mountains were settled in place, before the hills, I was given birth, before he made the world or its fields or any of the dust of the earth. I was there when he set the heavens in place, when he marked out the horizon on the face of the deep. . . Proverbs 8:22-27

If one wants to be a powerful magician, wizard, or wiseman [like Solomon] he must respect wisdom and this image of God she represents.

For wisdom is more pure than any motion; because of her pureness she pervades and penetrates all things. For she is a breath of the power of God, and a pure emanation of the glory of the Almighty; therefore nothing defiled gains entrance into her. For she is a reflection of eternal light, a spotless moirror of the working of God, and an image of his goodness. Wisdom of Solomon 7:24-26

 

With thee is wisdom, who knows thy works and was present when thou didst make the world, and who understands what is pleasing in thy sight and what is right according to thy commandments.

Send her forth from the holy heavens, and from the throne of thy glory send her, that she may be with me and toil, and that I may learn what is pleasing to thee. For she knows and understands all things, and she will guide me wisely in my actions and guard me with her glory. Then my works will be acceptable, and I shall be worthy of the throne of my father. For what man can learn the counsel of God? Or who can discern what the LORD wills? Wisdom of Solomon 9:9-13

In Greek Wisdom is Sophia Σοφία, from sophia σοφία meaning "skill, knowledge of, acquaintance with; sound judgement, practical wisdom; cunning, shrewdness, philosophy, from sophos 'wise'. This would make her quite sharp (as in smart).

We might compare this word, Sophia, to the ancient Egyptian name of the goddess Sopdet Spdt. Her name meaning "sharp" one / woman, or "skilled" one. Her name was written (most often) containing the same triangular hieroglyph used as a determinative in the word srt [seret] 'thorn'). It also had the meaning spd "sharp"(and other related words such as "skill" which is said to be from PIE *skel- "to cut").

 Sopdet / Spd, a few different spellings


Gardiner's Sign-list of Middle Egyptian

The Greek rendering of the Egyptian, Sopdet, was Sothis Σόθης. If a Greek feminine ending, 'α' sound, is added to either name, they would be Sopdia [replacing the ancient Egyptian feminine gender specification 't' ending] or Sothisa, respectively, which are both similar sounding to Sophia.

Sopdet was the personification of the star known as Seirios Σείριος "glowing," "scorcher" to the Greeks, from which we get the name Sirius, by way of the the Roman rendering of the name. Sirius is the brightest star in the sky.

To the ancient Egyptians her [Sopdet's] heliacal rising in July heralded the New Year and the very important life bringing inundation of the Nile (that is, when the land got sopped with the fertile water of the river). However in the Mediterranean region of Greece and Rome, Sirius, "the Dog Star" (of the constellation of Canis Major), also heralded the hot and disease bringing "dog days of summer". 

Sirius rises late in the dark, liquid sky / On summer nights, star of stars, / Orion's Dog they call it, brightest, / Of all, but an evil portent, bringing heat / And fevers to suffering humanity. Iliad, Homer, Book 22, 33-37, translation Stanley Lombardo

That is quite a serious accusation! This star had a bit of a thorny or 'seret' -ed reputation. And the the look of dog's teeth do have something in common with the serrated notches of the teeth of a saw blade. Acording to Ancient Egypt Online, "The sign itself was called 'the tooth' by the ancient Egyptians . . ." Therefore, this 'tooth' would have been visually represented in the name/spelling of the "Dog Star," the goddess Sopdet (Sirius). And the thorn hieroglyph does look similar to a pointed tooth of a dog.

Canine Teeth – srt/spd hieroglyph 

And things that are pointed, acute, peaked and sharp are often found at the top, or are the best in some way and therefore leaders. This idea was discussed in a previous Etymological Odyssey entitled "I said I was Sorry".  

The notches on saws are like mountain peaks, such as the Sierra (from Latin serra "saw") Nevada mountains. These peaks are sharp looking. Peaked mountain tops are chief among mountains, being the highest. see horns: Be Fruitful and Multiply

In biblical Hebrew sar is "chief, ruler, official, captain, prince," and sarah is "noble lady, princess." Compare this to, Old English sar (wounding), Proro-Germanic *saira (suffering), and *sairaz (pain). Why would "ruler" and "noble lady" have an association with suffering, sickness or illness? Chthonic Kore, I said I was Sorry

We would definitely say that the Goddess Sopdet is sarah a "noble lady"and also the brightest; the "chief" star, "star of stars," Sirius. And in fact she was syncretized in later time periods with the great goddess Isis (Gk.) Ισις / Aset, ꜣst, consort of Osiris, ressurected god of the underworld whom the ancient Egyptians associated with the stars of Orion. The stars of Orion's Belt (Osiris) point to Sirius (Sothis-Isis) which is in close visual proximity due southeast. Isis was an important goddess from the time of the Old Kingdom to the Ptolemaic Period, and through to Roman times, who took on characteristics and attributes of other goddesses. Isis is goddess exemplar, quite a star. Below we see a Roman bust of Sothis-Isis-Demeter.

Sothis-Isis-Demeter, Gregorian Egyptian Museum, Roman artwork, c. 131-138 CE

The name of Isis, aka, Aset, was spelled with the throne hieroglyph st  meaning "seat, place" in ancient Egyptian. 

Isis / ꜣst

And she was is fact the seat (throne) of Horus in her portrayal as the nursing mother goddess.

Isis and Horus, Late Period - Ptolemaic Period 664–30 BC, The Met

The High Priestess bears this throne (Isis) imagery in the tradition of the Rider-Waite Tarot (below). She is seated and wearing a similar crown, of cow horns and sun disk (which is the crown of Hathor, ḥwt-ḥr, the nurturing mother goddess / celestial cow, whose name has the meaning "House of Horus"). 

The High Priestess here also shares imagery with the wisdom of the Old Testament, which in Hebrew is chokmah. Here she is Wisdom sitting or enthroned at her gates, i.e. pillars. The pillars Boaz and Jachin stood on either side of the steps of the entrance of Solomon's Temple, and as such, would have defined the entrance. So they both visually and energetically created an "opening" or "gateway" to the temple. They were decorated with lillywork and pomegranates as attested to in 1Kings 7:15-21. Inside the temple itself was housed the Arc of the Covenant. 

Rider-Waite Tarot
Secrets, mystery, the future as yet unrevealed; silence, tenacity; wisdom, science

Chokhmah / Wisdom speaks here in this passage from Proverbs,

Now therefore, my sons, listen to me: blessed are those who keep my ways. Listen to instruction and be wise [chakam]; do not ignore it. Blessed is the man who listens to me, watching daily at my doors [deleth (collums, gates)], waiting at the posts [mezuzot] of my doorway [pethach (opening, entrance, gateway)]. For whoever finds me finds life and obtains the favor of the LORD. But he who fails to find me harms himself; all who hate me love death. Proverbs 8:32-36

In the Spolia Tarot [below] we see The High Priestess connected to snake symbolism. 

Spolia Tarot, Artwork by Jen May

The snake was a symbol for the goddess in ancient Egypt. The goddess Wadjet, was represented by the iaret "rearing cobra," called the uraeus "on its tail" by the Greeks, and was often portrayed in artwork, statuary, amulets and jewelry, and was worn upon the brow of pharaohs in this form.

Winged Uraei [Fiery/Venomous Serpents], Tomb of Amun-her-khepeshef, New Kingdom, c 1189-1077, Valley of the Queens, Thebes


Mask of Tutankhamun[detail], c.1323 BC, Egyptian Museum, Cairo

As a hieroglyph the rearing cobra could be used as a determinative to indicate "goddess" or "priestess" (as in the names of Sopdet and Isis above). It was also a determinative for the goddess Nesret (nsrt "flame") in Wadjet's association with the fiery goddess' Sekhmet and Bast and her personification as the Eye of Ra (the Sun).

The goddess as represented by the snake, shows a certain duality to her nature. 

The Eye of Ra also represents the destructive aspect of Ra's power: the heat of the sun, which can be so harsh that the Egyptians sometimes likened it to arrows shot by a god to destroy evildoers. The uraeus is a logical symbol for this dangerous power. In art, the sun disk image often incorporates one or two uraei coiled around it. The solar uraeus represents the eye as a dangerous force that encircles the sun god and guards against his enemies, spitting flames like venom. Four uraei are sometimes said to surround Ra's barque. Collectively called "Hathor of the four faces", they represent the eye's vigilance in all directions Eye of Ra: Aggressive and Protective, wikipedia

Wisdom is good, however, in sharing her keen knowledge, she can seem to bite with the sharp sting and fire of venom, like the seraph "fiery serpent" snakes of the Old Testament that bit the Israelites in the wilderness. Thus, Wisdom, can be the cause of serappim "disquieting thoughts" (or we might say "cognitive dissonance," which in severe cases can lead to psychosis and/or suicidal ideation). 

I remember when — I remember — I remember when I lost my mind — There was something so pleasant about that place — Even your emotions had an echo, in so much space — And when you're out there without a care — Yeah, I was out of touch — But it wasn't because I didn't know enough — I just knew too much . . . Does that make me crazy? –Crazy[lyrics], Gnarls Barkley

Even Jesus, who called himself "The way the truth and the life" John 14:6 says of himself, "I have come to cast fire upon the earth; and how I wish it were already kindled! Luke 12:49. The truth is not always all fun and games. It can be downright terrifying!

So, yes, Wisdom can appear as generally snakey... snakey like the serpent in the garden of Eden, whom God allowed leave to trick his poor unsuspecting innocent creations into partaking in the produce of, or product/consequence of ingesting the knowledge (da'ath) of Good and Evil.

Nao teh snakez wuz mor shneakay den any beest ov teh field (or hows) which Ceiling Cat had maded. Genesis 3:1, The LOLCat Bible

Wisdom can be snakey, bringing about a fall just by her very nature, i.e. causing one to see, or know. 

"For God knows that when you eat from it your eyes will be opened [or, will be wide open, *weid- "to see" open 👁👁🐍], and you will be like God, knowing good and evil."

When the woman saw that the fruit of the tree was good for food and pleasing to the eye, and also desirable for gaining wisdom, she took some and ate it. She also gave some to her husband, who was with her, and he ate it. Genesis 3:5-6

The knowledge of Good and Evil (i.e. the knowledge that makes one like God) entails the experience of the duality which is present in creation by nature of being fashioned in wisdom. 

For she is an initiate in the knowledge of God, and an associate in his works.  If riches are a desirable possession in life, what is richer than wisdom who affects all things? And if understanding is effective, who more than she is fashioner of what exists? Wisdom 8:5-6

The truth of the matter is that both good and evil exist, or we might more properly say, both "the good" and "the adverse" exist in God's creation. In/ through/ and with wisdom God created this Day which contains both the light and the dark; the night and day. 

God called the light "day," and the darkness he called "night." And there was evening, and there was morning—the first day. Genesis 1:5

... and God saw that it was good. Knowledge, too, like the Day, is good, but partaking in it doesn't necessarily produce pleasurable or pleasant outcomes in the short term. Sometimes the truth hurts and ignorance is bliss. Yet, there is a certain alluring appeal to this magical wisdom that creates good from evil. And, finally, in the end... after the fall / death, there is rebirth and resurrection, the glory of the morning; morning, that is nothing other than day,  but specifically 'day' that has been preceded by the night.  Day, night, morning (day) = one day. 

O felix culpa quae talem et tantum meruit habere redemptorem. 

Oh happy fault that merited such and so great a redeemer. - Exultet of the Easter Vigil

A "new creation" emerges out of the old skin. Wisdom encourages growth which is good, but growth can be scary and painful. Shedding the old skin literally leaves one naked and vulnerable for a period of time. There is a certain acuteness involved with the acquisition of wisdom. 

However, Wisdom, also seems to provide, or be herself, the remedy for her own dis–ease (serappim). 

When the Israelites were dying from being bitten by the seraphim nachashim, "seraph; fiery serpent" serpents in the wilderness, 

The LORD said to Moses, "Make a snake[seraph] and put it up on a pole[nes "standard"]; anyone who is bitten can look at it and live." Numbers 21:8

The "standard" in ancient Egypt was the hieroglyph used to indicate deity. So the seraph on a pole would doubly indicate its purpose in reprenenting the power of God. And Jesus, who is compared to this savior serpent of the Old Testament in John 3:14, exhibits this same kind of duality in his mission as well. Jesus brought the good news "Gospel", but he was also trouble riding in on an ass. 

And Jesus when he had found a young ass, sat thereon; as it is written 

"Fear not, daughter of Sion: behold thy King cometh, sitting on an ass's colt." John 12:14-15, KJV

But look what happened to him and his deciples. Some King! The disciples of Jesus received his "good news" and were subsequently killed for it. And when they were hiding out before Jesus reappeared to them, they must have wondered if evil had indeed triumphed. 

But, it seems that people need a savior figure, an idol, a star to look up to, someone or something physical and real to believe in and focus the mind. Clearly "idols" as such are not bad, otherwise why would God have told Moses to make a "fiery serpent" and set it on a pole to save the people? Why didn't he just tell them to ask God, their father in heaven, to heal them, and then heal them?  Instead they were given a material image of the goddess, if not specifically, then, for all intents and purposes very much like, the serpent goddess of ancient Egypt, Wadjet, the iaret "the risen one," Uraeus.

Brazen Serpent / Ureaus

Idol from its etymology, is simply a "material image" or likeness of a thing, from Greek eidolon, from eidos "form, shape; likeness, resemblance," which is related to idein meaning "to see," eidenai "to know;" literally "to see" (from PIE *weid-es, from root *weid- "to see"). Was this a wise (also from *weid-) thing for God to do? God instructed Moses to make an eidolon. And at first it was in fact effective, or we could say, the idol proved to be NOT idle.

Brazen Serpent, Fyodor Bruni 1841

T
he people put their faith in it and whoever looked upon it was saved. So it would seem that what is actually bad "idolatrous" is worshiping a "god" who is idle. For when the Israelites persisted in giving deference to this same idol of a bronze serpent after its purpose and efficacy had ended, it needed to be destroyed. They were worshiping an idol, a fallacy.

He [Hezikiah] removed the high places and broke the pillars and cut down Asherah. And he broke in pieces the bronze serpent that Moses had made, for until those days the people of Israel had made offering to it (it was called Nehushtan ["bronze one"]). 2 Kings 18:4
The whole point seems to be that they were being directed, though an image (idol) to a savior they could believe in, and then through that faith they were healed. But, then, it is human nature to quickly revert to idolatry, i.e., worshiping an idle god. How do you get a person to have faith that God wants good things for them and healing is possible in the now/present? How do we ask in order to receive? How do we seek in order to find? Where do we knock so that it is opened? 
 
In Greek mythology it was Hades who used a pomegranate to trick Persephone into having to spend part of the year in the underworld (which also bears the name "Hades"). The name Hades is said to perhaps have the meaning of " the invisible," from a- "not" + idein "to see"(therefore "not seen"), from PIE root *weid-, which we saw earlier as the root of words like "wise / wisdom" and "idol." It is also said to be the root of the word idea.  Perhaps these seeds that Persephone took and ingested from Aweides / Hades stood for "ideas" or the acquisition of knowledge of which there is no turning back from, like the wisdom of the tree in the garden of Eden. In this way, the pomegranate could be a symbol for dangerous or forbidden knowledge (ideas). The rape of Persephone was a literal rape of the mind in this respect. Welcome to the Hotel Hades, you can check out, but you can never leave. The pomegranate is a prominent feature in many versions of The High Priestess. 

(Vampiress): Ballancing between the seen and unseen. Intuition, the subconscious. Mystery, hidden influences. Duality

Similar to an "idea" is "to think". A thought is an idol of the mind, these idols are our gods, they shape our reality. 

Thoth was an ancient Egyptian god, skilled and crafty, credited as inventor of writing, language, the arts and sciences, all of which incorporated heka ("magic"), and presided as scribe at weighing of the heart ceremony, i.e. judgment of the deceased. The Greeks equated Thoth with Hermes. The pronunciation of his name transliterated from Egyptian as ḏḥwty is not certain. One rendering used is Djehuti, however the end sound may not have been pronounced as such, the Greeks wrote his name as Θώθ (theta, omega, theta) Thoth (also written as Thot or Thout), perhaps we could compare his name to the words thought and taught, as a devotee of wisdom, and teacher of writing, the arts and sciences.  

Thoth was also associated with the moon. 

The moon with its phases embodies and is symbolic of the organic feminine cycles of change and growth acting in creation, and is another common symbol found in many interpretations of The High Priestess.

Ibis headed Thoth with Lunar Crown, Kom Ombo Temple Complex

In this relief above, Thoth is depicted wearing a moon-disk on his head. And he himself is depicted as a man with the head of an ibis. Ibis' were also connected with moon symbolism themselves.

... we can discover various grounds for the identification of an ibis-god with the moon-god. Erman (Rel., p.10) ascribes the transformation of the moon into an ibis to popular fancy which noticed resemblance of the curved beak of the ibis to the sickle-crescent of the moon. In the later periods of Egyptian speculation all kind of explanations of current religious symbols were devised. One of these finds an echo in Plutarch when he says (Is. et O. 75, 8) that the mixture of white and black in the plumage of the ibis remends[sic.] one of the waning moon. (I) It may be, too, that the Egyptians saw in the dignified flight and pose of the ibis, something of the majesty of the moon as it fared across the skies, or looked down silently on men. Thoth, the Hermes of Egypt, by Patrick Boylan, p.78

African Sacred Ibis
And,

According to Theodore Hopfner, Thoth's Egyptian name written as ḏḥwty originated from ḏḥw, claimed to be the oldest known name for the ibis. Thoth: Name

If we go to the II trump of the Thoth Tarot by Alistair Crowley, she is The Priestess shown seated, holding up a matrix-like veil over her lap with raised and outstretched arms. The movement of her arms seems to have caused a swirling fluidic disturbance in the aether around her torso and head, as if her hands holding the net-like veil had been moved from the position of being crossed over her face to the outstretched and raised position they are in now, in one quick, succinct motion. Two pillars are apparent behind, and to either the side of the veil, which she is sitting between. She wears the Hathor/Isis crown with a series of moon crescents issuing upward across her face in rippled succession to the the top of her head, another moon crescent is below her feet. She wears lemniscate goggles. There is a bow and arrow resting on her lap under her veil. Crowly says of this, "Upon her knees is the bow of Artemis, which is also a musical instrument, for she is huntress, and hunts by enchantment." —The Book of Thoth, The Tarot of the Egyptians, p. 73

Aleister Crowley's Thoth Tarot Deck: Gimel / Moon

Here the Priestess provokes strong imagery of the ancient Egyptian primordial goddess called Neith / Nit / Net / Neit, the cosmic weaver and goddess of war and hunting, who was syncretized in certain periods with Hathor and Isis, and also shares certain attributes with the Greek goddess of wisdom, handicraft and warfare, Athena. Although Neith is the more primordial and enigmatic of the two. 

Plato also comments on the link between Neith and Athena in his dialogue of the Timaeus where he writes, "The citizens [of Sais] have a deity for their founders; she is called in the Egyptian tongue Neith and is asserted by them to be the same whom the Hellenes call Athena" (21e.). Her identification as the most powerful creative force in the universe is noted by Plutarch (c. 50 - 120 CE) who writes that the temple of Neith at Sais held this inscription "I Am All That Has Been, That Is, and That Will Be. No Mortal Has Yet Been Able to Lift the Veil That Covers Me. [The Fruit Which I Brought Forth is the Sun ADDN]" It is interesting to note that her name, among many other connotations, links to the root word for "weave" which carries with it the meaning of "to make exist" or "create" or "to be". Neith: World History Encyclopedia

Both goddesses had association with serpents. Neith was depicted at times in the form of the uraeus. Her symbol is found on uraei such as in this example from the tomb of Tutankhamun.

Guilded Wood figure, Netjer-Ankh "Living God"(with Neith symbol detail): Goddess Neith with her hieroglyphl(Nt) on her head/crown holding ankh
"An inscription painted in yellow on the black pedestal describes the deceased Tutankhamun as 'beloved of Netjer-Ankh', which leaves no room for doubt that the name of the serpent deity was Netjer-Ankh meaning the 'living god.' A serpent with that name, or its variant Ankhnetjer, is represented on painted wood coffins found in middle Egypt and dating  from some five centuries before the time of Tutankhamun; on the underside of its hood is the emblem usually associated with the goddess Neith, a feature also seen on the serpent in Tutankhamun's tomb." Netjer-Ankh, Tour Egypt 

In certain myths Neith is also connected to the creation of Apep / Apophis (Gk.), the primordial  serpent "Lord of Chaos," and two of Athena's symbols, besides the popularly known owl, are the snake and Gorgoneion (head with snakes), and both goddesses could be somewhat fearsome. 

In this association with snakes we see a duality is again present. We see it also in their association with war. The same type of instruments that are used for weaving, i.e. creating, are also used for instruments of war. Here is a quote from an previous Etymological Odyssey where the connection between weaving and war was discussed,

Oddly enough, Neith's connections with weaving seem to be associated with her role as goddess of war and hunting. Two of her symbols were crossed arrows and bow. The arrow and bow are not only weapons used for war, but are also words used for weaving instruments. The word shuttle in Old English scytel means "a dart, arrow." So the swift movement of the shuttle in weaving is like an arrow being shot. The word for both a beam used in weaving and the stock of a crossbow is tiller from Latin telarium, from tela "web, loom". Oh! What a Tangled Web We Weave

Neith / Net was also known as the mother of Sobek (the crocodile god). In this association we can find something of the net / matrix / veil symbolism, and also association with the pillars of The High Priestess card. A certain postulated etymology for this name, Sobek, is said to be from a form of the verb sbq meaning "to unite," so, given this etymology, Sobek would be, "He who Unites." Sobek: Character and Surrounding Mythologies A connection was discussed in yet another Etymological Odyssey, "Lord of Flies," between Sobek and a biblical Hebrew word sobek "meaning network (of boughs), therefore also "lattice." As a crocodile Sobek had a lattice-like skin pattern, and in this respect would cause an association of this appearance with his name, not to mention the types of places where a crocodile might be found lurking in the shadows. 

Sobek in his crocodile form, 12th Dynasty. Staatliches Museum Ägyptischer Kunst, Munich. Photo:Einsamer Schütze

Something that is Sobek-like is a lattice or network pattern. 

There were lattices [sebaka] of checker work [sabakim "nets" masseh "work"] with wreaths of chain work for the capitals on the tops of the pillars, a lattice for the one capital and a lattice for the other capital. 1 King 7:17, ESV or for Interlinear(Hebrew)

He made pomegranates in two rows encircling each network [sebaka] to decorate the capitals on top of the pillars. He did the same for each capital... On the capitals of both pillars, above the bowl-shaped part next to the network [sebaka], were the two hundred pomegranates in rows all around. He erected the pillars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz. 1 Kings 7:18, 20-21, NIV

In the earliest European tarot gaming decks, dating from the 15th century, this trump II is "The Popess," La Papessa in Italian,  and La Papesse in French. The earliest surviving cards of the Marseille pattern date from the end of the 17th century. 

La Papessa, Visconti-Sforoza Tarot, c.1460 / La Papesse, Le Tarot De Marseille, 

Here in this early guise, her enigmatic nature is so overt as to almost be overlooked, for, in fact, there is no such office as "Popess."  The word "Popess" itself is somewhat of an oxymoron. Pope is from Latin papa "bishop, pope," from Greek πάππας popas "patriarch, bishop," originally "father." So "popess" could possibly identify that this office of "father" is being filled by someone who is a woman. And there were, in fact, popular stories circulating in the Middle Ages about a so called "Pope Joan." However, in this case, her title would still be that of "Pope," and maybe should only equivocally be labeled "popess," because this was a woman, who under the guise of being a man attained to the office of Pope, not Popess, and holds the title "Pope". The woman in the tarot card, The Popess, however, looks to be clearly female, and not trying to hide this fact; being unbearded and wearing a veil upon her head. She is not usurping the role through trickery or deception. She is clearly identified as a pope-like figure enthroned and donning the papal tiara . . . which is a mysterious roll. She is a woman who is a coronated religious authority, and from the fact that she is holding a book, she is a teacher or keeper of knowledge as well. Therefore the title of High Priestess seems to suit her well since the origin of the term priest, presbytero (Gk.) means "elder (of two), old, venerable ."

The tiered papal tiara is similar in look to royal headdresses from Mesopotamia. Here is pictured  King Ashurbanipal 669-631 BC. He is most famous for the constructions of what could be considered the world's first library in the Neo-Assyrian capital of Nineveh.

The Royal lion hunt reliefs from Assyrian palace at Nineveh, the king is hunting c. 645-635 BC, British Museum

Mesopotamian gods and goddesses and other angelic beings were often portrayed wearing "horned caps," however in their depiction, theses crowns can come as being tiered.

(1) Human-headed Apkallus ("sage") protective spirit, Ummânū figure, Nimrud Bas Relief, Neo-Assyrian period (911–612 BCE), Musee Du Louvre, (2) Nazimaruttash kudurru stone,  Gula "Great" goddess, c.1307–1282 BC, (3) Burney Relief[detail] 19th -18th century BC, Old Babylonian

So perhaps the horned crown (crown of Hathor) of The High Priestess brings us full circle from the tiered papal tiara of The Popess which may have been an evolved look of the tiered crowns of Mesopotamia. These crowns symbolized "divine might and majesty," and may have been imitative of the architecture of the shrines/temples and surounding ziggurats.

Land grant to Marduk-apla-iddina kudurru (boundary stone), Babylon, c.1186–1172 BC, depicting "Anu shrine with tiara, Enlil shrine with tiara"

This was a revival of the lifting up of the head (horns) that occurred at Babylon's beginnings in the land of Shinar (Gen 11:1-9; cf. Dan 1:2; Zech 5:11). Acutely aware of the loss of the original Har Magedon, the mountain of God in Eden, the cultic focus that gave coherence to the mandated kingdom fullness, the ancient Babelites tried to regain humanity's lost ecumenicity by themselves erecting a cosmic mountain focus in the form of a tower that reached unto heaven. The ideology of the Babel enterprise is illuminated by Mesopotamian mythology. The Enuma Elish attributes the origins of Babylon to the gods at the founding the world order. In honor of Marduk, their champion, they constructed his temple with its tiered tower, named Esagila. That name is of special interest to our present investigations for it means "the house of the lifting up of the head." Punning on that name, the text says that after a year of making the bricks for it(cf. Gen 11:13) "they raised the head of Esaglia on high" (Enuma Elish, VI, 62). Also of particular interest for our immediate purposes, the text notes that once Marduk was enthroned there, "they looked up to its horns" (Enuma Elish, VI, 66). The Temple tower was crowned with horns. Similarily, ziggurats as later depicted in inscription and bas-relief have horns on the summit. Symbolized by such a crown of horns was the divine power and glory of resident deilties. Elsewhere in iconographic representations of gods they appear with head pieces composed of paired horns, some with four or more horns. One wonders whether such multitiered crowns tampering toward th top imitate ziggurat form. Certainly, like horns on the ziggurat, they symbolize divine might and majesty, the ultimate lifting up of the head. Glory in Our Midsts,  A Biblical-Theological Reading of Zachariah's Night Vissions, Meredith G. Klein, pg. 61

Here (below) Mary is shown with a "horned crown," i.e., with shining horns (from biblical Hebrew qeren) of light coming from her head/crown (and hands), as the skin on the face of Moses was "horned" after he came off the mountain talking to the LORD Ex. 34:28-30 

"A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head." Rev. 12:1

And Mary is also the embodiment of a certain perfection of the Church itself, 

"But while in the most Blessed Virgin the Church has already reached that perfection whereby she exists without spot or wrinkle, the faithful still strive to conquer sin and increase in holiness. And so they turn their eyes to Mary", in her, the Church is already "all-holy." –CCC 829, Lumen Gentium 65; cf. Eph. 5:26-27

"In the meantime the Mother of Jesus, in the glory which she possesses in the body and soul in heaven, is the image and beginning of the Church as it is to be perfected in the world to come. Likewise she shines forth on earth, until the day of the Lord shall come, a sign of certain hope and comfort to the pilgrim People of God. –CCC 972, LG 68; cf. 2 Pet 3:10

Although there is not a tradition of a Popess in Christianity, there is a strong tradition of honoring Mary as Mother of God (Mater Dei), Queen of Heaven (Regina Coeli), Seat or Throne of Wisdom (Sedes Sapientiae), Ever Virgin (Semper Virginem), and Ark of the Covenant (Foederis Arca). Here she is depicted having a tiered crown bestowed on her head by Jesus, entitled "Coronation of the Virgin."


Coronation of The Virgin, Martino di Bartolomeo, c. 1400, Los Angeles County Museum of Art

In this respect she shares many titles and symbolic tradition with these other goddesses (such as, Neith [virginally gave birth to the gods (parthenogenetic), Mother of Ra/Sun/God], Athena [Parthenos "virgin"], Artemis [virgin goddess], Isis [Seat / Throne, Mother of Horus], Hathor [House of Horus], who have been compared in concept with Wisdom / Sophia / Chokmah and The High Priestess here, although she herself is, by the Church, most emphatically, not called a goddess or given the title of goddess. But what is a goddess? That's something to think about. 

The Immaculate Conception, Giovanni Battista Tiepolo, 1767-1769, Museo del Prado, Spain

What the Roman Catholic Church says of Mary is that she is the Immaculate Conception,

The Most Blessed Virgin Mary was, from the first moment of her conception, by a singular grace and privilege of almighty God and by virtue of the merits of Jesus Christ, Savior of the human race, preserved immune from all the stain of original sin.  –Catechism of the Catholic Church 492: Pope Pius IX, Ineffabilis Deus(Dec. 8, 1854)

Also, that, 

"By the grace of God Mary remained free of every personal sin her whole life long" – CCC 493

So Mary was conceived without sin (in herself), and this has nothing to do with how she was conceived, i.e., it is not speaking to the fact that she was conceived in the usual way, through the (non sinful) sexual intercourse of her parents (they were legit married). Jesus however, is said to be God (the third person of the trinity), therefore the fact that he was conceived in his bodily form as sinless would be a given. And Jesus was not conceived through sexual intercourse, as was Mary. Jesus is said to be "conceived by the Holy Spirit," indicating that he is wholly the son on God and not begotten by a human father.

The angel answered, "The Holy Spirt will come upon you, and the power of the Most High will overshadow you. So the holy one to be born will be called the Son of God. Luke 1:35

However, we as children of God are meant to partake in his divine nature.

Now the Father's will is to "raise up men to share in his own divine life." (LG 2.) He does this by gathering men around his Son Jesus Christ... –CCC 541 

Baptism not only purifies from all sins, but also makes the neophyte "a new creature," an adopted son of God, who has become a "partaker in the divine nature," member of Christ and co-heir with him, and a temple of the Holy Spirit. –CCC1265

And Jesus says, speaking of God the father, 

I have given them glory that you gave me, that they may be one as we are one—I in them and you in me—so that they may be brought to complete unity. Then the world will know that you sent me and and have loved them even as you have loved me. John 17:22-23

All Christ's riches "are for every individual and are everybody's property."(JPII, RH 11.) –CCC 519

Christ enables us to live in him all that he himself lived, and he lives it in us. "By his incarnation, he, the Son of God, has in a certain way united himself with each man." (GS22,2.) We are called only to become one with him, for he enables us in his flesh as a model: –CCC 521
Therefore if we are called to "partake in the divine nature" and be "co-heirs" with Christ, then how much more so would Mary the Mother of God partake in his divine nature? And wouldn't that make her a goddess? And then, as we too are called to be "Christs," aren't we also gods, even as Jesus himself argued we are? (cf. John 10:34-36). Then, likewise we would all be called to be the virgin mother, the "goddess" who gives her fiat to God and conceives and gives birth to this Christ inside of ourselves. 

Our Lady of the Sign-Ark of Mercy, Sanctuary of the Divine Mercy, St. Stanislaus Kostka Church, Chicago

We can take our inspiration for this, in the this card, The High Priestess.
... therefore be shrewd as serpents, and innocent as doves. Matt 10:16


 

Saturday, July 3, 2021

The Magician – I

Le Tarot de Marseille

One is the loneliest number. But, the funny thing is, it wouldn't be lonely if weren't for two. If not for a second thing not being there, one wouldn't be alone, rather it would actually be all one. When something exists, by the fact of its distinction from the ALL, then it is another, i.e., "a second of two." 

Being alone ("all "+ an "one") isn't bad if you are actually everything, like the unmanifest, unsearchable, eternal God. But once anything exists apart from the perfect Unity, which is what any created thing or creature is by its very nature, then being alone can be lonely. And any created creature is also by its nature more lowly than the creator.

The Creation of Adam, Michelangelo, c. 1508-1512, ceiling of Sistine Chapel, Vatican City

This makes every person single from Latin singulus "one, one to each, individual, separate," from a form of the root *sem- "one; as one, together with," but not integer, that is, "untouched," from in- "not" + tangere "touch", from PIE *tag- "touch, handle." No, we are creatures tagged by God. We are very much touched, and very much separate as individuals.

Shem / Šem the oldest son of Noah, means "name" in Hebrew. We don't know what Noah and his wife had in mind in calling their son "Name", but surely they hoped it would be a good name. Perhaps there was even some connotation of this name as denoting their son as their first, #1, seminal or *sem- "one" child. In any case, a person's(or a thing's) name can be either good; a name of fame or renown, or it can be bad; a name of ill repute or shame, given the particular state of their reputation. Even this name meaning "name," shem, could be a name of shame meaning "byword". 

then I will pluck you up from my land that I have given you, and this house that I have consecrated for my name [šem], I will cast out of my sight, and I will make it a proverb and a byword [šem] among all peoples. 2 Chronicles 7:20

One is actually perfection and a name of "God," Monad, the origin of everything, the source of everything else. One is frightening and powerful in that respect. Yet we, as creatures can only experience one in relation to other numbers, so it is also lowly, being the first, as in the lowest number of a sequence. Everything that comes after is bigger and more. Like 1 on a scale of 1-10. However, we also say "number one," as being the best, the top. 

The Magician holds a bit of this duality of dignity in its history. In the earliest tarot decks it is Le Bateleur in French and Il Bagato in Italian, the mountebank, who might be a charlatan or swindler, who uses illusion, trickery and sleight of hand to gain money, power or position. 

The Italian name Il Bagatto (a word derived from bagatelle, a little thing) refers to the card's roll in the game Tarocchi. It is the lowest-ranking card in the trump series, vulnerable to being captured by any other trump card. Eventually, the word came to mean sleight-of-hand tricks, deception, fraud and swindling. The French name, Le Bateleur, has the same meaning.  Tarot Heritage -all about tarot history and historic decks

Salvador Tali Tarot, Taschen Books, first published 1984

However, in more modern tarot decks the I card is sometimes named The Magus (a word derived from Latin magi, singular magus "magician, learned magician"). And  in general, The Magician, whatever it is named, has a positive interpretation in tarot readings. 

The Magician – (some) keywords: skill, self-confidence, will, creative power, control, dexterity, mastery, ambition, domination, strategy 

Shadowscapes Tarot, Stephanie Pui-Mun

So, sometimes the same word can be used at different times as a name of respect, or as a name of shame. Such is the case with magician. It can be applied to someone like Le Bateleur, the mountebank,  or it can be applied to someone who is a knowledgable alchemist, someone is knowledgeable about causes, a worker of powerful magic, like Merlin, or worker of miracles like Jesus.

How do we tell the difference? It's not always clear at first, but we can always look to results or fruits. For example, Jesus preformed wonders and cured people of disease and sickness. The question wasn't whether he was efficacious or not, it was if he was "allowed" to be doing these things. When Jesus cured the man blind from birth. The man did not question Jesus' powers because he was cured as a result of them.

He replied, "Whether he is a sinner or not, I don't know. One thing I do know. I was blind but now I see!" John 9:25

And if we remember, back in the time of Moses, in ancient Egypt there were powerful magicians who, "did the same things" as Moses "by their secret arts." 

So, Moses and Aaron went to Pharaoh and did just as the LORD commanded. Aaron threw his staff down in front of Pharaoh and his officials, and it became a snake. Pharaoh then summoned wise men[chakamim] and sorcerers[kashaphim], and [they] the Egyptian magicians[chartome / ḥartummê] also did the same things by their secret arts[lahatehem]; Exodus 7:10-11

Chartom חרטם is translated as "magician" [ḥartummîm "magicians"], however(according to the NAS exhaustive concordance), literally it has the meaning "engraver, writer," from the same root as cheret "engraving tool, stylus". Writing and words in general were considered to have magical power. In ancient Egypt this concept of magic was called heka. 

Heka referred to the deity, the concept, and the practice of magic. Since magic was a significant aspect of medical practice, a physician would invoke Heka in order to practice heka. The universe was created and given form by magical means, and magic sustained both the visible and invisible worlds, Heka was thought to have been present at creation and was the generative power the gods drew upon in order to create life. Heka, World History Encyclopedia

These wise men and sorcerers,  "magicians", were the educated writers and engravers of hieroglyphs [from Gk. hieros "sacred" + glyphein "to carve"], called medu-netjer "words of the God" in the ancient Egyptian language, or the prescribers of such engravings, carvings and spells. The cheret "stylus" is a pointed instrument, like a wand, used to carve or write words, i.e.  "to cut". This word is charats  in Biblical Hebrew, meaning "to cut, sharpen, decide, utter, decree, determine." They were very skilled at their craft.

The magician-priest-physicians, cutting with sharpened tools made decrees and uttered spells of magic to determine outcomes. When acting as priest-magician-physicians the chartomim would have used carved amulets and wrote/"engraved" magical prescriptions (sometimes which words were even dissolved and eaten by the patient). 

The sem priests were magicians who preformed ceremonies for the dead, ceremonies which include specific utterances, to promote safe passage in the afterlife and insure the use of the senses, such as the Opening of the Mouth ceremony where a specific ritual "cutting" instruments were employed such as a ritual adze and peseshkef  were used to, what we might say, "cut"(charats), i.e. open the mouth of the deceased. 

When participating in the funerary ceremony, the sem priest wore the leopard-skin mantel that covered most of the otherwise bare upper part of the body . . . The Opening of the Mouth ritual transformed the deceased into an akh, the reanimate spirit that was a crucial element of the ancient Egyptian concept of the soul. Preforming this rite on a mummy enabled the spirit of the deceased to breathe, speak, see, hear, and receive offerings of food and drink. Sem Priests of Ancient Egypt, Ancient Origins

Sem Priest with Ritual Adze

So the ancient Egyptian magicians were skilled carvers in more ways than one. They were skilled with carving words, spells, amulets, and also using "carving" or "sharpened" instruments for ritual. They were also skilled physicians. 

The Egyptians were advanced medical practitioners for their time. They were masters of human anatomy and healing mostly due to the extensive mummification ceremonies. This involved removing most of the internal organs including the brain, lungs, pancreas, liver, spleen, heart and intestine (Millet et al., 1980). Herbal Medicine in ancient Egypt

Magic and medicine were not completely separate disciplines in ancient Egypt. The carving of a physician on the body, i.e. surgery,  is arguably even more important than the carving of the words(prescriptions and spells), at least there is more immediately at stake for ones life going under the knife. It is very important to intrust ones wellbeing, both physical and spiritual, to a person who is  skilled at their craft.

Carving is a type of craft, which is from Old English cræft "power, physical strength, might"(from the same Germanic root as the German Kraft "strength, skill" and Sweedish kraft "strength". It is the case that the thing a person becomes powerful(cræfty) at is also a the thing they are skilled(Kraft-y) at. And like all craftsmen, there are those who are very skilled and those who are not so skilled. And of those who are not very skilled there are some who are posers and pretend like they are more skilled than they are for their own advantage. We call these charlatans. There is not always a clear distinction between a true magician / the magus / miracle worker and, the charlatan. Rather there is a certain of amount of skill and efficaciousness one person displays compared to the next.

Charlatan "one who pretends to knowledge skill, importance, etc." is taken from French charlatan  meaning "mountebank, babbler," from Italian ciarlatano "a quack." Mountebank is also taken from Italian, montambanco, a contraction of month in banco meaning "quack, juggler," literally "mount on a bench" (to be seen by a crowd)"[OE]. However, a juggler, beyond its modern typical meaning of throwing around balls and clubs, also can refer to, "one who preforms tricks or acts of magic or deftness [so someone we would generally refer to as an "illusionist" or "magician" nowadays]. Another meaning of juggler is "one who manipulates especially in order to achieve a desired end[Merriam-Webster]." In the original sense the term juggler was used to mean "magician" in the sense of a kind of trickster or "joker, the original term being taken from Latin ioculari meaning "to joke, jest." And they both, jugglers and magicians preform many of their tricks adeptly using their hands .

The connecting notion between "magician" and "juggler" is dexterity. Especial sense "one who practices sleight of hand, one who preforms tricks of dexterity" is from c. 1600 OE

So a juggler is a "magician" of a different sort than the more serious chartom of ancient Egypt, or magi of the east. A magician may be a charlatan who is a very skilled  or crafty juggler of objects or words, but, finally, is not one who is a master of or the more subtle causes of nature, and who is thus able to produce alchemical transformation, wonders, cures, etc. Adeptly hiding a ball under a shell to make money off of passers by is a lesser kind of magic than bringing sight to the blind.

Magus is a term taken from Latin magus(pl. magi) meaning "magician, learned magician" from the Greek term magos, used to describe the Persian learned and priestly class as portrayed in the Bible, from Old Persian magush "magician" possibly from PIE root *magh- "to be able, have power."

Spolia Tarot, artwork by Jen May

In this respect we might say that God the Creator is the best magician (and therefore best craftsman[or we might even say, carafe-man like the ancient Egyptian Khnum the "Divine Potter," "Lord of created things from himself," whose hieroglyph was a large water jug(khnm), aka a carafe]) of all, or The Magician par excellence. [I previously explored magic/heka in this post, excerpt below, He's a Magic Man, July 31, 2020]

Creation is a dark mysterious statement. All that is, was, and ever will be was fashioned in a single moment, or named [or spoken(spelled)] in a single Word of perfection. It is this concept that allows for magic. There is a single template(the Logos/Word/OM) we are traveling in, around and through at every moment. It is because of this fixed reality of ordered infinity that we get magic(heka) as the offspring of the omnipotent creator of the universe. An unmagical world is not the product of an omnipotent Magh-ician. Magic is the result of the self similarity and nature of oneness which makes up the universe. The image which is creation at all levels(both the macrocosmic and microcosmic levels) is perfect and can never be compromised or altered in any way fundamentally. It is an image of the ALL. He's a Magic Man, Chthonic Kore

Just because there are a lot of quacks and charlatans, does not make magic a base thing or a hoax. Rather those who claim to be magicians, but are really jokers, tricksters, charlatans and quacks give the word "magician" a bad name. This is why different terms are applied(or different names given) to make distinctions along the way. Such as saying Jesus preformed miracles instead of saying he preformed magic, a term which is too caught up with its association with charlatans and entertainers. Miracle itself simply comes from the idea that what Jesus did was astonishing, amazing and wonderful, coming from Latin miraculum meaning "object of wonder." Jesus was a wonder worker.

In this sense we could say that Jesus himself was a powerful wizard. Wizard being from Middle English wys "wise" + -ard. Jesus is shown many times in early Christian art preforming his miracles with a wand in hand. So this would make him a type of chartom(magician) as well.

[1] The raising of Lazarus, Sarcophagus in Lateran, forth-century, [2] Fresco, Raising of Lazarus, Catacomb of Priscilla, Rome, early to mid-third century, [3] Multiplication of the Loaves, Via Anapo catacomb, third- or fourth-century, [4] Jesus Raising the Dead, Marble, sarcophagus fragment, fourth-century

Which brings us back to the term Le Bateleur. 

Bateler has the meaning in French "to conjure, do magic tricks; to juggle," and these are people who often have things like batons, from French bâton "stick, walking stick, staff, club, wand," in their hands doing tricks and preforming magic.

While the magician[in order to focus / direct energy . . . or distract /divert attention] uses a wand for a different purpose than the juggler[to throw and catch], they both must be very skilled with their use of their wands. The best magicians and jugglers make it look easy.

Both the magician / illusionist / sleight of hand artist and juggler must be so practiced at their craft that it becomes second nature, in order to impress their audience. Success, for the magician / juggler comes in this form of  what is called "concentration without effort" as described in Meditations on the Tarot.

Concentration without effort is the transposition of the directing center of the brain to the rhythmic system – from the domain of the mind and the imagination to that of morality and will. The great hat in the form of a lemniscate which the Magician wears[in the Tarot de Marseille], like his attitude of perfect ease, indicates this transposition. For the lemniscate (the horizontal 8: ∞) it is not only the symbol of infinity, but also that of rhythm, of the respiration and circulation – it is the symbol of eternal rhythm or the eternity of rhythm. The Magician therefore represents the state of concentration without effort, i.e. the state of consciousness where the center directing the will has "descended" (in reality it is elevated) from the brain to the rhythmic system, where the "oscillations of the mental substance" are reduced to silence and to rest, no longer hindering concentration. 

Concentration without effort – that is to say where there is nothing to suppress and where contemplation becomes as natural as breathing and the beating of the heart – is the state of consciousness (i.e. thought, imagination, feeling and will) of perfect calm, accompanied by the complete relaxation of the nerves and the muscles of the body. It is the profound silence of desires, of preoccupation, of the imagination, of the memory of discursive thought. One may say that the entire being becomes like the surface of calm water, reflecting the immense presence of the starry sky and its indescribable harmony. . .   Meditations on the Tarot, A Journey into Christian Hermeticism, Letter I The Magician, p.10

So all these different types of "magicians" whether juggler, charlatan, or magus, must be so practiced and skilled at their craft, whatever it is that it comes almost effortlessly and fluidly. 

Some skills, however, come more easily and readily to certain people than to others. For example, one person may pick up an instrument and learn to play it better than another who practices for an equal length of time, given their particular natural "God given" gifts and talents. Therefore to become a great musician,  or "magician" of a craft is admirable especially to those who do not possess the same natural skill sets and would never reach the same level of mastery(craft) even with years of practice and effort. To these(those unskilled or less skilled in the same craft), the ability of the magician does seem truly magical, and for the magician their own ability is a source of power(*magh-) and magnetism.

Leonard Bernstein, conductor, composer, pianist, author, humanitarian(1918-1990) conducting with wand / baton

The magician, the one with power and craft, creates and makes things happen. The magician is a handy(skilled) maker. Make is said to be from PIE root *mag- / *mak- "to knead, fashion, fit." Here again, the maker, par exelence, would be God.

Does a clay pot dare argue with its maker, a pot that is like all others? Does the clay ask the potter what he is doing? Does the pot[poal "the work"] complain that its maker has no skill[yadayim "hands; ability"]? - Isaiah 45:9, Good News Translation, [see Hebrew]

Khnum the Divine Potter (father of Heka) fashions Ihy on his potters wheel, Temple of Hathor, Dendera[detail from Inner Shrine]

The Divine Maker took a mass "irregular shaped lump, body of unshaped coherent matter," from Old French masse, from Latin massa "needed dough, lump, that which adheres together like dough," from PIE root *mag- / *mak- "to knead, fashion, fit," and magically fashioned it into the first humans, i.e. the adam, ha.adam (who was made out of the "dust" of the adamah Gen 2:7), 

male and female created he them, and blessed them, and called their name Adam, in the day when they were created. Genesis 5:2 ASV, Hebrew Interlinear

What has mass is what is malleable and therefore the lump, the massa was formed by the creator/maker to make a mas, which means "male" in Latin, and is the root of the English word male. A male is a mass made into flesh and bone like Adam. Interestingly enough, this male named "man," that is, Adam, then acted as "female," when God took or "sucked" [the fe in female is from PIE dhe(i) "to suck"] from his flesh and bones, i.e. his mass, to make Eve. The female, which is said to mean literally "she who suckles," therefore the "mas that suckles(fe)," or we could say, perhaps even more properly, the mass that is sucked from (even while suckling young). The female is the one who creates and sustains new life through a transfer of matter, as a woman does when a baby is gestating in her womb (and then furthermore through milk production), which is definitely very magical. 

Me acting as female 2012, photo Julie O. /chthonickore

And in this respect even if a man gestates a baby in his womb he is still acting as "female" according to the etymological origin of the term. He is still giving of (or being sucked[fe] from) his own mass to create a new person. In this way we could say what matters for the term male and female is matter. Basically every person is a lump of matter and some people get matter sucked from their own mass to make new individuals. The vast majority of the time the people who do this identify as female and are women, so the terms take on assumed meanings and connotations which can give these words a bad name or loaded meaning, not unlike the word "magician." A lot is assumed about a person through these terms "male" "female" "masculine" "feminine" "man" "woman" etc. This is why words / names matter, and naming is itself a form of magic. Naming is creative. Naming is powerful. Words can and do hurt, and words can and do heal.

The Egyptians believed that if you knew someone's name, you had power over it. If you wrote the name of a dangerous animal or evil spirit on pottery and smashed it you were symbolically killing the evil. So called "execration texts" have been discovered all over Egypt particularly near burial areas. According to one myth all Egyptians were given a secret name at birth by the goddess Renenutet* which was never disclosed to protect them from harm. Names in Ancient Egypt, Ancient Egypt Online 
*Ren [pl. renu] meaning "name, identity" was one of the parts of the soul in ancient Egypt.

In ancient Egypt names[renu]were protected within "magic / heka circles" called shen / šn, meaning "encircle" [and if people were given new renu, it was a kind of magical renewal / renu-al]. A cartouche is a type of shen ring encircling a persons name / ren

Engraved Cartouche of Hapshepsut(1507-1458 BC) - on obelisk, Luxor, Egypt

In this way a written (i.e. spelled) name was a spell within a spell and it is clearly denoted as being one, one thing, one name, a unity. Like *I*, meaning [me] or one.

I

The Magician. One; lowly or mighty, infamous or renowned, charlatan or magus, tricker/illusionist or maker/creator, man or god? The proof will have to remain in the pudding!
Be careful what you wish for . . .