Showing posts with label spell. Show all posts
Showing posts with label spell. Show all posts

Monday, April 6, 2026

The World — XXI

Because the world is round, it turns me on
Because the world is round

Because the wind is high, it blows my mind
Because the wind is high

Love is old, love is new
Love is all, love is you

Because the sky is blue, it makes me cry
Because the sky is blue     
Because, The Beetles (1969)

With trump XXI, The World, we arrive at the completion of the cycle, and what better way to complete a cycle than with something circular or whirled/whorled as is our world!

Shadowscapes Tarot, by Stephanie Pui-Mun Law

 ". . . When one's goals have been reached, it is a wondrous and precious moment to see your dreams come true and know that elusively mythical treasure promised in fairy tales: the heart's desire."

The world is our universe and our universe is our world. It is our portion, enclosure, covering. Like the ancient Egyptian goddess Nut portrayed as a a star covered woman arching over over the sky(pt in ancient Egyptian), 

1
Nut, Tomb of Ramses IV, Valley of the Kings

whose name(the phonetic portion) was written with a nw/nu "pot" hieroglyph and also contained the pt "sky" hieroglyph as a determinative[not spoken🤫].

                                                                

Nut - nw/nu "pot" +  "bread bun"(feminine) + pt "sky"[det.] 

So, visually her name is the [female] container of the sky.

Nu-"et" came out of Nu. 

In the beginning the universe only consisted of a great chaotic cosmic ocean, and the ocean itself was referred to as [*Nu]Nun. Nun, Creation Myth, wikipedia. 

Nun was the great none or nothing, the Nu-thing from which EVERYTHING arose. Nun's name was written with three nw "pot" + three n "wavy lines/water ripples"  pt "sky" [also as a determinative].

                                                      

 [3] nw/nu "pot" + [3] n "wavy lines/water ripples"  pt "sky" [det.]+ seated god [det.]

So his name seems to visually represents the many/plural waters of the sky/heaven, while Nut is visually the single pot of the pet "sky".

Nut/nwt/Nuit is our pot/portion which arose out of Nun, namely, our visible or known universe

Here in the Crawley deck trump XXI is named The Universe. The figure in the middle and the snake are enclosed/ in utero/ in the belly of the starry sky[∴ Nut, aka, Nuit, who is apparent at night]. The starry sky is not merely a circle or a band, after all, but rather, is all encompassing or spherical like a pot[nw]. . . in a nut shell, like Nwt[aka, Nut/Nuit]. 

The Universe  [in a Nut] The Book of Thoth
Essential questions. Synthesis. Delay. Completion. Opposition. Inertia. Perseverence. Patience. Crystalized thinking. — Instructions for Alister Crowley's Thoth Tarot Deck, written by James Wasserman

The universe is the unus "one"+ versus "turned" or "turned into one," therefore the universus "whole, entire, all things" which is our place or physical enclosure in the sea of eternity[Nun]. 

If Judgment was a revealing, exposing, dis-clothing. The World is clothing, covering, wrapping [The World wraps up the fool's journey by wrapping things up]. The opposite of being naked or exposed is to be dressed which is to be covered. In the coffin above Nut is literally a three dimensional covering/enclosure for the body of the deceased.

In Latin mundus has the meaning "universe, world," however, mundus was also used to describe a woman's "ornaments, dress"[like Nut's star covered body], so things that cover but also have intentional arrangement. Adornments/Ornaments make a thing look put together, that is ordered(from Latin onare "equip, adorn"), equipped(Old Norse skipa "arrange, place in order"), ship-shape, which in Greek would be kosmos "orderly arrangement, i.e. decoration; the world," from which we get cosmos the Latinized version in English. 

Tarot de Marseilles 
[A woman enclosed/enclothed by a wreath and wrapped in a wrap, looking like an ornament]
"Attainment, completion, perfection, ultimate change, the end result of all efforts, success, assurance, synthesis, accomplishment, capability, the rewards that come from hard work, the path of liberation, eternal life."

Another primordial ancient Egyptian goddess like the cosmic Nut(our starry dressing/mundus), whose name is similar sounding to mundus/le monde, is Mut/Maut/Mout. 

Mut was considered a primal deity, associated with the primordial waters of Nu from which everything in the world was born. Mut, wikipedia

Her name had the meaning "mother," so Mut, Mother[Mut-er], was the Mater (L.)"origin, source, mother" of matter and the primordial mound of le monde, the world

To have things ornamented is to have them arranged or ordered which is to have things organized or have things in hand. And in Middle English mounde was "the hand ✋; protection, guardianship, power," from Old English mund, however in Old English mounde meant "the world." So, hand(mounde) and the world(mounde) are connected via the idea of protection or covering . He's got the whole world in his hands, or the whole mounde in his moundes. . . or the whole handiwork in his hands. Which would be the whole mound in his mounds 🤲, 

Print T-shirt from Target, Modern Lux,  photo by Julie O.

and a mound is a moat(in its original sense), from mote c. 1300  "a mound, a hill," from Medieval Latin mota "mound, fortified height," said to be "perhaps from Gaulish mutt, mutta," which is similar sounding to the divine mother(Mut).

The Mut Temple Complex had a kind of moat around the temple itself which sat on a mote "mound," and moats are also a form of mounde "protection" whether they are mounds(protection by height) or moats(protection by water). Very handy!

Precinct of Mut / Ruins of the Mut Temple Complex[from Ancient Thebes], Luxor, East Bank of the Nile South Karnak

At the macroscopic level the world(which is itself just a mote in the vastness of space/infinity) is our womb/enclosure/place of protection[mounde] therefore our mut "mother." At the microcosmic level, when we are in the womb, our mother[mutis our world[mounde]. 

A Mother Wombing, photo credit Julie O., May 18, 2012

In Hebrew a word meaning "womb" is rechemalso translated in the King James Bible as matrix(from Latin meaning "womb, uterus," from mãter, mãtris "[of the] mother"),  from racham (racham/rechem) "compasion, love, mercy," which is also the name for a kind of vulture, racham.

In ancient Egypt the vulture hieroglyph  represented the phonogram(i.e. word forming sound) for mut/mwt  meaning "mother," and it was also used as a phonogram for neret/nrt meaning "griffon vulture."

Mut (goddess) hieroglyph, Vulture with Nekhakha "flail"[aka, a claw/rake]

So, the vulture hieroglyph had the meaning mut "mother" and Mut was represented by the vulture. She was also called "Mut the great, mistress of Isheru," the isheru meaning "lake"[i.e., the "moat" at the temple complex] being a representation in the microcosm of the "waters above," namely, of the sky/heaven(pt), which we could say is our womb/mother. Therefore the vulture had correspondence in ancient Hebrew and ancient Egyptian with the concepts of womb, compassion, mother, protection and world/universe.

Vultures were thought of as being good and protective mothers to their young, i.e. nurturing (nrt-ing/vulturing), and their large outstretched wings were a sign of protection[mounde]. Vultures had very positive symbolic significance in ancient Egypt, like this rachaph "hovering" racham "vulture" below 👇. And to hover is to "move gently"[rachaph] like a "brooding"[rachaph] mother bird, or move gently as the rocking of a baby in the rechem "womb."

Nekhbet, Tutelary Goddess of Upper Egypt, Deir el-Bahari temple, Thebes, Egypt
Carrying a shen("encircling," symbolizing eternal protection) in her talons 
The earth was without form and void, and darkness was over the face of the deep. And the Spirit[ruach] of God[elohim]was hovering[rachaph] over the face of the waters. Gen. 1:2 ESV

So, the "Spirit of God" was hovering / covering / wombing / momming / incubating / mounde-ing. . . moving gently/rocking. . . perhaps we could say, whirring / purring / humming / thrumming / vibrating(as wings do, think of hummingbirds), or idling. . .  but not idle. A LOT is going on in an egg or a womb even though what  is going on is hidden.  Just as a bird that is hovering in the sky is actually exerting a lot of controlled force and effort to remain balanced and aloft, yet appears motionless, or an idling engine appears to be idle, yet is full of potential power just waiting for the command/word that will set it loose. . . run! 

And God said, "let there be light," and there was light. Gen. 1:3

Likewise, there is a lot going on in a brain even though it has a lot "covering/wrapping/veil" over it. We can't see the workings of the mind until a person acts in some way. But if a brain has a good womb/mother/mounde/world/protection it has a good chance of developing well and being capable of acting/doing well.

Here is a vulture headdress/crown which is a bejeweled kind of covering[lot] that is cast/wrapped[lut] over a woman's head and is a part of a woman's mundus "dress" and is very adorned[mundus] and elegant[mundus]. It is a lot. 

Ptolemaic Period, c. 100—1 B.C., Denera, Egypt, Egypt Museum

It is depicted upon the crowns of goddesses associated with the vulture, such as Mut and Nekhbet ["{she} of Nekheb", (the city later called after the Greek equivalent, Eileiythia, goddess of childbirth). Nekhbet was another early predynastic creator goddess symbolizing protection and motherhood], and the crown was later worn by royalty and priestesses. 

Nefertari Meritmut, wife of Ramses II, Ninteenth Dynasty, c. 1255 BCE, Valley of the Queens, Luxor

In a certain sense, the whole world and universe is contained in one head/mound inside one mind[from PIE root *men(1) "to think"] of one/each man, therefore we could say that the vulture crown is an image of divine order and protection of the created universe.

This image of the vulture as a divine protector is similar to the Christian portrayal of the Holy Spirit as an alighting dove.


Or of the action of God in the Old Testament related to a nesher "large bird of prey; griffon vultureeagle," in the Old Testament.
'You yourselves have seen what I did to the Egyptians, and how I bore you on eagles'[nesherim] wings and brought you to myself. Ex. 19:4

Sometimes nesher is translated as "eagle" while at other times it is translated as "vulture"The Biblical Greek, aetos "eagle" is used to translate the Hebrew word, nesher, and so aetos is also translated to English at times as either "eagle" or "vulture."

The first living creature was like a lion, the second was like an ox, the third had a face like a man, the fourth was like a flying eagle[aeto]Rev. 4:7 NIV

compare to Hebrew:

Their faces looked like this: Each of the four had the face of a human being, and on the right side of each had the face of a lion, and on the left the face of an ox; each also had the face of an eagle[nesher]. Ez. 1:10 NIV

The Universal Waite Tarot
The four living creatures are portrayed in the corners of the card

We also see this ambiguity in translation through the origins of the name of the bright star Vega. Vega is taken from a shortening of the Arabic an-nasr al-wāqi' commonly translated as the "falling/descending/swooping eagle," however, the word nasr, similar to the Hebrew nesher, can also be translated as vulture.

The bright star Vega has a name that is well-known around the world, but whose meaning continues to be misunderstood. Typically presented as the "Diving Eagle", the original Arabic name for Vega — an-nasr al-wāqi' —  is best represented as the "Alighting Vulture". Together with its partner, Altair— the Flying Vulture—these two stars were well-known to Arabian astronomy as the Two Vultures, a star name that was in use by the early 6th century CE.  From Diving Eagle to Alighting Vulture: The Origin of Vega in Arabian Astronomy, Danielle Adams, American Astronomical Society, 2023 
Deneb[Dhanab al-Dajājah](in Cygnus, Latin "the swan"), Vega[an-nasr al-wāqi',"the Alighting Vulture"](in Lyra), and Altair[al-nasr al tāir, "the Flying Vulture"](in Aquilla, Latin "the eagle"), the three stars known as "The Summer Triangle."  

Interestingly, this Arabic word wāqi' "falling, alighting" also carries the meaning "happening," or "occurring," as we might use the word "falling" when describing the occurrance of night "falling" or an event "falling" or "landing" on a certain day of the week. Chapter 56 of the Quran is called, Al-Wāqi-a, translated as "The Inevitable," or "The Event." In this chapter, the events following Judgment Day and the manner of resurrection and the afterlife are discussed. 

When the Inevitable Event takes place, 
then no one can deny it has come.
It will debase some and elevate others.
When the earth will be violently shaken,
and the mountains will be crushed to pieces,
becoming scattered particles of dust. . .  56. Al Waqi'ah          

If the Vulture represents a place of protection like world and womb, then the Vulture "Falling/Happening/Event," would be similar in meaning to The World XXI which carries the meaning of "attainment," "completion," "perfection," etc., which we could say is a type of birthing(womb) event, and such an event(i.e., birth), when imminent is described as a "falling, lightening, dropping," and birth is a culminating event that is both an ending/death(of pregnancy) and a new beginning(birth), and such events are not completed without a certain amount of drama and/or peril. 

Interestingly enough, on the grand timescale of history, there was such an event that occurred around the epoch when "The Falling Vulture," i.e., Vega, was slowly but steadily "falling away" from its position as the pole, after ≈ 12,000 BC[after having first risen to this prominence/star status, overtaking the previous acting pole star, Deneb, (from Arabic) Dhanab ad-Dajājah "tail of the hen," in Cygnus. Any star given the title of "Pole Star" is just playing a role for a time due to their prominence and position near [either of the the paths; north or south] of the celestial pole over the course of time it takes to complete the 25771.57 year axial procession.

Rough sketch by Julie O.,  from The Changing Pole Star, Exploring Science
The path of the North Celestial Pole [in red], NEP[North Ecliptic Pole]. The NCP was near the star Vega[the Falling Vulture/Eagle]  12,000 BC, thereafter "falling" away until the begging of the Holocene epoch  9,700 BC at which time the NCP was then near ι Herculis in the constellation of Hercules  10,000 BC.

This was the period of the Younger Dryas, a sudden cold period lasting 1200 yrs., followed by a period of rapid warming, ending the last glacial period, i.e., the last ice age, which we could say was the worlds's "water breaking," that is, the melting glaciers released/broke the world's water. And civilization was born!

Geological evidence is revealing how conditions during the Younger Dryas remodeled our planet. It created weather so extreme that it also reduced human societies [*hunter gatherers] living on the planet at this time.

Importantly, it marks the prehistory period just before human civilization arises. The Younger Dryas Event and the Prehistoric Period Extinction, by The Human Origin Project,

Following this period, was the advent of sedentary cultures in the eastern Mediterranean region(as well as other regions throughout the world) that culminated in the rise of agriculture and the emergence of the first megalithic structures(such as the temple complex at Göbekli Tepe in Anatolia, c. 9600 BC, modern day Turkey, part of the Fertile Crescent, a major cradle of civilization), at the birth/dawn of civilization [and dawn is a birth event as well; when the sun(Ra) is born anew from the sky(Nut)].

How did these people view vultures?

Generally today, eagles are given a positive roll as symbols of strength and freedom, while vultures are given a negative roll as harbingers of death and decay, however in certain cultures, and at certain times in history, such as in ancient Egypt, vultures were regarded very positively {even though the word for mother, mut, was similar to the word for death, mut; so "death" maybe containing the meaning of something like returning to the mother/womb/tomb/mound}.

After the unification of ancient Egypt the vulture (patron of Upper Egypt, Nekhbet) and the fiery serpent (patron of Lower Egypt, Wadjet) were joined as nebty, literally meaning "The Two Ladies," and were often depicted together as protectors of a unified Egypt.

The Two Ladies, Mask of Tutankhamun - Egypt Museum

If they were protectors, then they were shields or coverers[from *wer-(4) "to cover"] which as shown above, certain people would wear as coverings for the head. And a protector is a keeper or a watcher over something which we could say is a Lord[from hlaf+weardfrom *wer-(3)"perceive, watch out for"]/Lady who is a lofty/airy(air/*awer) being, which is *wer-(1) "raised lifted" wer "man"[Old English], from Latin vir/viri which is said to be the origin of our English word World, reconstructed as a Proto-Germanic compound of wer "man" + ald "age," meaning literally "the age of man." However, this etymology of "world" seems to be the word taken in a more secular "worldly" sense than that of Le Monde. Yet, men(wer) are those who *men-(1) "think," and in thinking they *men-(2) "project" themselves mentally like mountains[from men-(2)],  motes or mounds and contain the whole mundus (sometimes even making mountains out of mole hills).

Mental painting by Ailis O'Reilly 2017, ailis_art 

The "world" is the "age of the thinker(i.e., men)" or we could say, the "age of the story teller." 

We are the music makers,
    And we are the dreamers of dreams,
Wandering by lone sea-breakers,
    And sitting by desolate streams; —
World-losers and world-forsakers,
    On whom the pale moon gleams:
Yet we are the movers and shakers
    Of the world for ever, it seems.

With wonderful deathless ditties
We build up the world's great cities,
    And out of a fabulous story
    We fashion an empire's glory:
One man with a dream, at pleasure,
    Shall go forth and conquer a crown;
And three with a new song's measure
    Can trample a kingdom down . . . 

 Ode — stanzas 1 & 2, by Arthur O'Shaunghnessey, The Poetry Foundation

An ald "age" is a period of time or period of history, so we could say that the world(wer+ald) is a tale/telling or a spell(from Old English spell "story, saying, tale; history, narrative, fable; discourse, command") of wer "man." Or is it a spell put over man? Or perhaps is it both at the same time? Our thoughts create our reality both individually and collectively and we inherit or are born into a world(story) of sin(i.e., the esse "being"ness or essentia "beingness" we experience which involves the experience of both good and evil). The world is our reality(realis) or the res "things" that are or have come to life through our thought. The spell is cast[lut] which creates a casting or veil[lot]. But perhaps we could call this state of things[i.e., the world of sin and death] a false mother/world/matrix. This story/world of sin and death is not our true mother, just like the woman in the Bible who did not protect 🤲 the living baby was not his mother.

The woman whose son was alive was deeply moved out of love for her son and said to the king, "Please, my lord, give her the living baby! Don't kill him!" But the other said, "Neither I nor you shall have him. Cut him in two! Then the king gave his ruling: "Give the living baby to the first woman. Do not kill him; she is his mother." 1 Kings 3:25-26

In reality, the world, our (true) mother, who covers us(wombs us), is a story that protects us. The world gives us a place in the vastness of eternity(which is Nu-thing/Nun). We need to have a point. . . and point of origin. The point 👉, the YOU ARE HERE on the map, is our anchor ⚓︎, and is life giving, an ankh-er ☥. Nothing comes from nothing, so we are the newthing(creation) from the knowthing 🧠 that came out of the Nuthing or Nun. Our world gives us space ✨ to exist, to grow, to evolve, to become more. . . As the world turns. Which brings us back again to The Fool

And a one, a two, a one, two, three, four!

Shaddowscapes Tarot, by Stephanie Pui-Mun Law

Tuesday, August 13, 2019

Come in for a Spell


We create our reality with our stories, both individually and collectively. What we give our attention to influences what we feel and how we feel, what we do, and what we say. We tell ourselves good stories, or bad stories. In fact our reality is largely influenced by our history, our collective stories, i.e., our his-stories and her-stories that we have written in history books, and / or told by word of mouth, even what we tell ourselves, i.e., my-stories. However these stories can change, and do change. 


The history of the world, photo by Julie O. /chthonickore

The stories we tell ourselves can be either limiting or inspirational. Is it simply a mystery what makes up one's reality? When we tell stories we are doing something very powerful. We are spelling out, informing (telling) our present, that place where we are . . .  and where we are influences our future. Whatever the future holds, we are writing that story right now, but people often don't respect what powerful creators we are. 


Spell has a complex history and has evolved different common usages over time. Generally when we think of "spell" we mean, spell (v.1), early 14c."read by letter, write or say the letters of," the meaning of which seems to have come by way of (according to the online etymology dictionary) a French word, espeller, rather than the Old English spellian "to tell, speak, discourse, talk", espeller, meaning "mean, signify, explain, interpret," also, "spell out letters, pronounce, recite", both said to come from the same  Germanic root, *spellam "to tell", from PIE *spel-(2) "to say aloud, recite." 


A spell (n.1) is a "story, saying, tale, history, narrative, fable; discourse, command," from Old English spell, as in gospel (good + spell), the good news. Good stories are inspirational and have the power to change the world in seemingly magical ways. We have magic at our fingertips and enchantments spilling from our lips every time we write, or speak. 


A good spell written by my sister at the beginning of a blank book, now full of other spells.

Yet how many people believe this? Many have the idea that history is solid objective reality. History is something that simply happens to us. What we think, what we do, what we concentrate upon, or let into our lives, isn't really important. It is out of our hands. 

Is this a bad boy? What's the story? 

And in a way this is true if you hand over your power to "his" story, and don't think for yourself. But, history is largely made up of people's stories, and these "tellings" (spellsare creative. They have the power to create positively, or negatively which impacts both personal reality and the reality of the world. 

Even if you just think of it on this simple level . . . have you ever walked into a room of angry or sad people and felt it? How did it make you feel? Inspired? Did it give you energy, or did it bring you down? I think we all know this, we would rather walk into a room with people who were happy, or hopeful. What we experience influences our actions, how much energy we have, and a whole host of other things. 

Why are people more likely to finish their race when people are rooting for them? Why is it harder when people are telling you that they expect you to fail and you're a looser? What is in our environment, and therefore too, what we choose to bring into our environments influences us, changes our histories, changes our worlds. So, you are in fact a powerful creator when you are conscious of this, when you are a conscious creator. We are the movers and shakers.

A phoenix, related to the benu bird of ancient Egypt who cried out (spoke the spell, the word) and creation came into existence

Spell didn't come into usage as a term for magic spells, a "set of words with supposed magical or occult powers, incantation, charm" until the 1570's, but undoubtedly the notion was still there before this time. When a person preforms / casts a spell they are trying to affect reality. They want to change the story in a take charge kind of way. Whatever you say about these magicians, they know that they are responsible in very significant ways for what "reality" they experience. 

In biblical Hebrew kashaph means, "to practice sorcery, sorcerer, sorceress", f
rom a primitive root meaning properly "to whisper a spell". 
Pharaoh then summoned wise men [chakam] and sorcerers [kashaph], and the Egyptian magicians[chartom] also did the same things by their secret arts [lahat]. Exodus 7:11

The Children's Bible, Western Publishing Company, Inc. pp 108-109, photo by Julie O.


What else is this word kashaph (sorcerer) whisperer reminiscent off? It is like the snake in the Garden of Eden, the nachash, the word nachash coming from the sound a snake makes. A snake is a "hisser (kshhhh, chash).N
achash also has the meaning of "practice divination, enchanter." In this case the snake was an enchanter / bewitcher / speller. The snake cunningly whispered to Eve hiss story and changed the history of mankind, i.e., the human / man (ha adam), the people whom God had created.
For God knows that when you eat from it your eyes will be opened, and you will be like God, knowing good and evil  Genesis 3:5
Lahat, above [Exodus 7:11], is translated as "magic arts", or "enchantments," and has the literal meaning of "a flame, flaming" It is interestingly the same word used to describe the "flaming whirling sword", the haphak [to turn] cherub [sword] which was used to guard the way to the tree of life along with the kerub [cherubim], after Adam and Eve were cast out.
After he drove the man out, he placed on the east side of the Garden of Eden cherubim and a flaming sword flashing back and forth to guard the way to the tree of life. Genesis 3:24

Shaddowscapes Tarot Deck, Two of Swords: stalemate, an impasse, difficult decisions, avoidance, weighing options

So, these cherubim, i.e., "swords [cherub] of God (?)," "messengers [angels] who are like swords [cherub], or who smite down [charab] for God (?)," they guard the way to the tree of life with a flaming [lahat], i.e., "enchanted" turning sword. And the kapash [spell whispers, sorcerers] of Egypt, also did their magic by certain "flaming [lahat]," enchantments, when they copied the tricks Aaron was preforming by the power of YHWH, who was finally the greater / better speller
They threw down their staffs, which also became serpents! But then Aaron's staff swallowed up their staffs.  Exodus 7:12
And notice this, chartom is translated as "magician," but actually means "engraver, writer". How interesting, the engravers, i.e., carvers of the hieroglyphs were thought of as magicians. They must have been pretty good spellers too.

Hieroglyphics is the name given to the writings of the ancient Egyptians by the Greeks, from hieros "sacred, filled with the divine, holy" + glyphe "carving".  The Egyptians themselves called their writing mdju netjer "words of the gods."
The ancient Egyptians believed that writing was invented by the god Thoth, and called their hieroglyphic script "mdju netjer" ("words of the gods"). The word hieroglyph comes from the Greek hieros (sacred) plus glypho (inscriptions) and was first used by Clement of Alexandria. https://www.omniglot.com/writing/egyptian.htm

Weighing of the Heart Ceremony [detail], Thoth "Lord of Divine Words", i.e., writing, recording the outcome

Its most important function was to provide a means by which certain concepts or events could be brought into existence. The Egyptians believed that if something were committed to writing it could be repeatedly "made to happen" by means of magic. Egyptologist Rosalie David https://www.google.com/amp/s/www.ancient.eu/amp/1-15434/ 
So, for the Egyptians their writings were literally spells. And the hieroglyphic system lended itself well to this kind of spelling. It was a more holistic type of written communication than written English, or maybe we could say, it incorporated more right-brained (nonverbal, feelings, intuition, visualization) features along with the left-brained (verbal, logical, linear) than English does. For one thing, English uses the Roman alphabet which is more evolved and, therefore, removed from the pictorial meanings behind the letters, or the pictograms they evolved from. The letters we use in English can seem to be arbitrary in shape. We learn the names and sounds of the letters and construct words, and the words can then create pictures in our minds, but the symbols themselves are not usually associated with objects or animals. They are simply letters that represent different sounds of the spoken language [however there is a great amount of history written / encoded etymologically in English which is very magical, and with our black mirrors (smartphones), it's never been easier to access this magic].

Mdju netjer (hieroglyphic writing) was both pictorial (a picture says a thousand words) and phonetic. Phonograms, logograms, and ideograms made up the basis for hieroglyphic script. 

Sometimes the symbols / pictures were used to represent one, two or even three letter combinations (phonograms). In English, th, ch, sh are examples of phonograms. Other times certain symbols were used to represent a whole word or phrase (logogram), such as how we use the Arabic number symbols (0,1,2,3,4,5,6,7,8,9). We say "nine" when we see the symbol "9". We can read this logographic sentence, 👁🧡 U, or the same phrase in one symbol, 🤟. 
Sometimes the symbols were meant to represent a concept (ideograms) and were used as determinatives which were not spoken, but rather gave certain extra context, or meaning to the sentence, not unlike how we use certain emojis 😀
Determinatives were also used to distinguish homophones (words having the same pronunciation but different meanings), such as fly [the insect 🦟] and fly [the verb 🛩], and they could also serve as word dividers (in English we often just use a blank / white space). 

Hieroglyphic script could also be written either left to right , right to left 
←, or vertically in columns ↓, and there was a certain amount of artistic license for how the characters were arranged. 


So think about this, even when the symbols were being used to represent phonetic sounds and put together to represent spoken words (left-brained), their visual connection to certain concepts (right-brained) could not be lost. An eye looks like an eye, even if it is being used as a letter. Am👁r👁te? 

 Steele of Mennahkt, c. 1321 B.C. - Wikimedia


While the evolved scripts we have today maybe allow for greater amounts of logical precision and ease of writing, they accomplish this by sacrificing a certain depth of meaning and a more expansive intuitive type of transference of information and ideas. 

The ability to decipher Egyptian hieroglyphs was lost for much of modern history, from the late 4th century A.D., until the (fortunate) discovery of the Rosetta Stone in 1799 A.D., which eventually enabled for its possible reconstruction (. . . or at least that's the popular story, maybe other people figured it out sooner or kept the knowledge alive in secret 🤷‍♀️). Those who pondered the carvings during those years did not understand its phonetic complexity. 
It is arguable whether the ancient Greeks or Romans understood hieroglyphics. The Greeks almost certainly did not, since from their viewpoint, hieroglyphics were not phonetic signs but symbols of a more abstruse and allegorical nature. The humanist revival of the European Middle Age, although it produced a set of Italian-designed hieroglyphics, gave no further insight into the original Egyptian. https://www.britannica.com/topic/hieroglyph
Which is kind of a strange development considering many of the most renowned Greek philosophers, studied at Egyptian mystery schools. However, it is also not strange given that certain ideas taken from the Egyptians were probably not appreciated, or were considered to be threatening by the powers that were. It is an interesting question as to how much of a factor this was. Certain people suggest that persecution was present.
It is clear then that Socrates offended the Athenian government simply because he pursued the study of astronomy and probably that of geology; and that the other philosophers were persecuted for the same reason. But the study of science was a required condition to membership in the Egyptian Mystery Systems, and its purpose was the liberation of the Soul from the ten bodily fetters, and if the Greek philosophers studied the sciences, then they were fulfilling a required condition to membership in the Egyptian Mystery System. Stolen Legacy, by George G. M. James[1954], ch.3 http://www.sacred-texts.com/afr/stle/stle07.htm

The Death of Socrates, by Jacques-Louis David(1787)


It is also the case that the reign of the pharaohs came to an end in 30 BC which would have contributed to the loss of the Egyptian priesthood and customs.  
The final straw, however, came when Cleopatra lost to Rome in the battle of Actium in 30BC. She was Egypt's last pharaoh and Egypt became a mere province of Rome.   
The use of hieroglyphics struggled on for several centuries, but it dwindled away to be replaced by the  Roman alphabet. Eventually, it fell into complete disuse and became a total mystery to humans. https://www.egyptabout.com/2017/01/when-did-hieroglyphics-stop.html
 And,
After the Emperor Theodsius I ordered the closure of all pagan temples throughout the Roman empire in the late 4th century AD, knowledge of the hieroglyphic script was lost https://www.omniglot.com/writing/egyptian.htm

So, it was not necessarily a complete accident, even if it was just through lack of respect for the wisdom of ancient Egypt (and unfortunate happenings such as the burning of the Library of Alexandria in Egypt in 48 BC), that the understanding of hieroglyphic writing was lost . . . for a time.

Luckily artifacts from the past are recovered through archeological study and other fortunate discoveries from time to time, and attempts to rewrite history are not always entirely successful. 

This same sort of thing occured with the Mayan codices in Mesoamerica. Only a few codices were saved from destruction, and then turned up in Europe, such as the Dresden Codex. 

The Mayans had a pictorial script as well. 

Mayan Codex written on Mesoamerican bark paper.

Their books were intentionally destroyed by the conquering Spanish, the biggest offender, Diego de Landa Caldéron, Catholic bishop of the Archdioceses of Yucatán. This was done in order to erase their history, and body of “heretical” knowledge and practices, in an attempt to control and change the story, and affect the future. 

Mural by Juan O’Gorman, Biblioteca Central de la UNAM, Mexico City 
We found a large number of books in these characters and, as they contained nothing in which were not to be seen as superstition and lies of the devil, we burned them all, which they (the Maya) regretted to an amazing degree, and which caused them much affliction. https://en.m.wikipedia.org/wiki/Diego_de_Landa - Clendinnen
Oh how odd, who would have thought? 🤨 🙄

People attempt to change history by limiting or changing what we see. The word history comes from Old French estoire "story; chronicle, history," from Latin historia "narrative of past events, account, tale, story," from Greek historia "a learning or knowing by inquiry, an account of one's inquiries, history, record, narrative," from historein "inquire," from histōr “wise man, judge,” from PIE *wid-tor-, from root *weid- to see.” [OE] 

So the word "history" can be traced back to the concept of the things seen and related by those wise and discerning. The seers (wid-tor-ians) of the things, tell the tales, or spell the spells. The most honest of these weid-tors (seers) being weeders of false history, but not weeders of information. It is against the spirit of inquiry (historia) to destroy people's histories. The most deceptive of the histōrs (wise men) are hissers (snakes) who use their spells in attempts to rewrite, or confuse history, and enslave the masses.

Snake in the Grass, Dr. Seuss Political Cartoon, March 24,1942

If writing is from the gods then it is no surprise that these things would resurface despite the best efforts of men to wipe them out.
Things once forbidden pop up time and again miraculously, like also, the Nag Hammadi library, a collection of of early Christian and Gnostic texts dating from the 2nd to 4th centuries AD, that were discovered in Upper Egypt in 1945. However, many of texts, found were significantly damaged and have missing words and sections.  

The ancient Egyptians themselves were not innocent of rewriting, or leaving out information in their histories as well. After the death of the heretic Pharaoh Akhenaten, monuments were dismantled, or hidden, and statues destroyed, and his name was even excluded from the king lists. 
These lists were often condensed, with some rulers (such as the contentious and disruptive Akhenaten, and even entire dynasties omitted from the record; they are not truly history, rather they are a form of ancestor worship, a celebration of the consistency of kingship of which the current ruler was a part. https://www.khanacademy.org/humanities/ap-art-history/ancient-mediterranean-ap/ancient-egypt-ap/a/ancient-egypt-an-introduction
The ancient Egyptians were so serious about their carvings and the power of the written word that they placed names inside of protective shen rings. The shen ring was a stylized loop of a rope. Shen meaning "encircle", and it represented eternal protection.

Shen

Cartouche, from French cartouche "a full charge for a pistol" (originally wrapped in paper thus resembling the shape of the cartouche), is the name given to these oblong shen rings that enclose names. 

Why should the name be treated this way? Perhaps because writing is a form of magic, or a magical formula, and it’s not wise to just write a name, spell it, put it out there unprotected. Names have power. A name defines a person. When a name is wrapped in the shen it is a name defined, loaded and locked for protection

Cartouche of Ramses II at Tanis, 3655 BC

There is a tradition of the names of gods /the divine, and /or demons not being named, or their names not being spoken, and also of knowers of names having certain powers over others [The Name of Ra]. Words are spells. Sometimes the spell is broken by not spelling it out even though it is known who is being referred to. Such as in the Old Testament The Name of God is written with the letters Yōd Hē Vov Hē, YHVH, or YHWH, But we don’t have the pronunciation, it was lost from history by the 3rd century BC. It is often assumed to be Yahweh, but is usually translated as The LORD, i.e., Adonai. And sometimes, simply, HaShem "The Name"(Interesting how in ancient Egypt names were written in shen rings, and as a hieroglyph were used for the word "name", and in Hebrew shem means name).

There is the idea that there are certain dangers, problems or powers associated with the writing and speaking of names. So, in both the spelling (writing out), and spelling (telling) of names. Perhaps this is due, in part, to the fact that what proceeds out of a person’s mouth, or how they read a word imposes their subjective understanding upon that person or concept. So it could be disrespectful for a uneducated or unenlightened individual to dare to define a divine being. They would be imposing their own history / herstory. Or, who would want to accidentally summon a demon by speaking its name? How dare a mere mortal speak The Name? Who knows if they are a good speller? 
Rabbinical Judaism teaches that the name [Yōd Hē Vov Hē] is forbidden to all except the High Priest, who should only speak it in the Holy of Holies of the Temple in Jerusalem on Yom Kippur. https://en.m.wikipedia.org/wiki/Names_of_God_in_Judaism#YHWH
If anyone is a good speller it is the God of the universe, the most powerful magician of all. Magician is ultimately from Old Persian magush, which is possibly from PIE *mahg- "to be able; have power,"

The effectiveness of spell is based upon the powers of the magician. There is the magic of an illusionist, black magic, white magic, supernatural magic, alchemical magic, etc. However the proof is in the results. Without ability that produces real results, the "magician" is only a charlatan, i.e., a babbler, a quack. Just like a god that doesn’t produce any actual results is an idol due to this idleness, i.e., idol-ness.

The God of the universe was not idle. A most powerful spell was spoken and the whole of creation came into being, the One thingWordLogosOmTao. Ma'at. Asha . . .

Painting by Catherine O. / photo Julie O. / chthonickore


The rest is history.