Religion might attempt to save people from this trap by enforcing rules and discipline which steers a person towards moderate behavior and purposeful engagement with suffering (i.e., engaging with the opposite of pleasure). Sometimes this is accomplished with the use of guilt and scare tactics, such as the threat of eternal damnation. This may be effective in saving some people from the evils which arise due to overindulgence, but does not necessarily create temperate people (although practicing temperate actions can be a way of learning temperance, if it is pursued with integrity), rather religion/rules just fetter the natural urges. And for those who are not religious, these types of imposed rules might not even hold sway at all. But even in this case, the frustrating reality of the impending doom of dissatisfaction still looms, because even if a person says they they don't believe in God and they don't feel the shame of not following the proposed rules, they STILL cannot find happiness in simply just doing whatever they are inclined to do.
Even this person is somewhat dependent on the excitement that they derive specifically from NOT FOLLOWING THE RULES, or in engaging with the taboo. What fun would Aleister Crowley have had if there were no taboos? The very fact that something is forbidden can make it an object of lust, because when you haven't had something for a long time, or are forbidden from having it, and then you have it, this produces an experience of great pleasure, more so than if you were "allowed" to have it. And let's not even mention the enjoyment that can be derived from acting salaciously! What would these people do if no one cared that they were doing? Therefore a person who has a lot of rules and restrictions placed upon them has ample ability to know that they could experience pleasure if they were only allowed it. They are not up against a dead end for experiencing pleasure. Whereas, on the other hand, someone with no rules or restrictions, and no imposed social norms might be bored with everything they have. For example, if you are forced to be out in the freezing cold all day and then get inside in front of a fire, you enjoy that warmth more than the person who was allowed to be inside all day. It becomes harder and harder for the person who is only indulging in what is pleasurable to even enjoy anything after a while. When this happens there are two choices 1.) turn away from pleasure (suffer a type of death) and regain balance or 2.) continue to indulge and seek enjoyment in more and more extreme ways in order to create novelty and tension, which leads toward perversion / corruption / distortion and inability to experience pleasure [in normal ways]. Like King Midas who desired that everything he touched would turn to gold, but ended up not being able to enjoy anything because of his excess. He found a living hell in the fulfillment of his wish.
In order to be freed from his curse he was told to submit to an act of obedience, which is an act of humility and a type of death (death to oneself). Dionysius told Midas to rinse in the waters of the river Pactolus; which is a baptism "immersion," so, it was symbolically a death/rebirth, like the evening sun when it is "immersed" (sets) in the waters of the sky at sunset, thus symbolically dying before it is reborn, reemerging from the same waters at dawn: reset. A sun (a great light) that refuses to "die" in this way, is not part of "the Day" as we know it. A Day consists of "day, night, morning: one day," not eternal daylight.
This gift/curse of the Golden Touch is analogous to the gift/curse of a created being, being made in the image and likeness of God. To be like God is to be capable of creating or having whatever is wanted when it is wanted. But what happens when you can do whatever you want and you don't have a mature sense of balance? You find yourself in a hell of your own making. And if you yourself made that happen while only wanting what is good for yourself (the pleasurable), then what hope do you have to remedy your predicament? How does one get out of this hell?
Our life on Earth in the flesh creates the illusion of separation from God and veils our power as creators. So we don't encounter this problem of being gods in this way. Instead we are generally forced to some semblance of moderate behavior (experiencing the adverse as well as the pleasurable) by circumstances of life and being in a body. Such as people of antiquity, or people living in remote places without a lot of resources who have to work hard every day just to get their survival needs met, and don't have or can't afford the luxury of a lot of leisure time. As things are, we have to daily battle bodily discomfort and illnessl. In this way life usually forces us to experience a lot of adversity, while enjoyment, in contrast, is harder to come by. In modern society, a person needs money and so will work many hours doing things they don't necessarily want to be doing, which then creates this great thing called "days off" and " weekends." And their available income puts a cap on what they are able to buy and do, so they are kept in a state where enjoyment is readily accessible because they are so often not doing or getting everything that they want. Just the mere act of getting off work or out of school for the day brings a feeling of joy.
However, people are always wanting to get away from these limiting circumstances without understanding that when a person succeeds and gets to a place where they easily have access to an abundance of everything they desire (resources, time, etc.), this doesn't in an of itself automatically give rise to the happiness that they dream of. Because it isn't the mere state of not working that is enjoyable, but rather the movement or dance, back and forth, between the different polarities, such as between work(toil/effort) and leisure(pleasure/rest) that is satisfying and creates happiness. So, as in the case of retirement, a person must create some sort of disciplined routine for themselves to maintain balance in their lives or risk becoming sick and depressed. They have to actively choose to create the tension between the so called, "good and evil," for themselves rather than having it inflicted or forced upon them. They have to create a work/leisure balance and adhere to it. Whereas, once, they were forced by weekly grind and raising children to work hard and not have too much leisure (and thus appreciate it), now they may begin to see life as evil or cruel joke because they have reached the so called "golden years" but yet they are not happy. They can become trapped here again, not with the iron chains of responsibility, but with a bond that is even harder to break because it is really nothing. In their freedom do do whatever they want, they can become restricted from enjoyment by this very same openness.
This is an interesting idea considering the story in Old Norse mythology of the bond that was made by the Svaltárfar "Black Elves" to to bind the wolf Fenrir (which we could say is representative of our animal appetites, desiring nature, or avarice/ greed). This fetter was said to be made out of six things 1.) the noise of a cat's footfall, 2.) a woman's beard, 3.) mountain roots, 4.) the sinews of a bear, 5.) a fish's breath, and 6.) the spittle of a bird, that some say are things that "don't exist" or are "impossible," since the text reads, . . . thou must have seen that a woman has no beard, and no sound comes from the leap of a cat, and there are no roots under a rock; and by my troth, all that I have told thee is equally true, though there be some things which thou canst not put to the test. [ch. 34, p.44]
but from looking at them, we might say instead that they are things that are rather just "barely anything" or are "unseen," or are "of no consequence," things that are very subtle and so make a most subtle chain, and not simply that they don't exist. This chain, called Gleipnir, was described as being like a soft smooth silken ribbon, unlike the two chains of metal that were first made, both of which Fenrir was able to break free from in a great exposition of raw strength. Some sources say the meaning of Gleipnir is "open one" and some add "lissom" as well, but others give such meanings as "entangled one," and "the deceiver." One possible etymological origin given is that it is derived from the verb gleipa meaning "scorn, sneer." It's not clear where the meaning of "open one" is sourced from, if it is an accurate etymology, however, being "open" does seem to have something to do with being lissom "thin, supple, graceful," in the sense that being lissom allows for some freedom, i.e., "openness" of movement compared to a thick, clanky chain made out of heavy metal links, and this would also make it more frustrating to not be able to break free from it, so it might appear to "scorn" in this way and be a "deceiver,"
Try and Fenrir, Illustration by John Albert Bauer (1882-1918), for Our Fathers' Godsaga by Victor Rydberg published 1911. which would make Gleipnir similar to such words as gloat, glower, and glare, which words are said to come from, "a large group of Germanic gl- words having to do with shining and glittering and, perhaps sliding. . . from PIE *ghel-" [OE]. So maybe we could say it is slippery, but not like Sleipnir the eight-legged horse of Odin whose name means "sliding one" or "gliding one," who was named such presumably because his swiftness of foot. And, we would also say it is "slippery" not just because it is smooth and perhaps glistening like a silken ribbon (or perhaps we could say, rue-band, like Fenrir's "band of rue".),
but we also could say that Gleipnir is "slippery" because it is like the snake in the garden of Eden who was a deceiver, a smooth talker, who perhaps we could say was a glib (archaic meaning "smooth and slippery") one (so a we could say, glibnir [one who is glib]), and tricked Eve into eating the fruit, telling her she was open to do it, as a result putting the animal nature of man in a bind.When the woman saw that the fruit of the tree was good for food and pleasing to the eye, and also desireable for gaining wisdom, she took some and ate it. She also gave some to her husband, who was with her, and he ate it. Gen. 3:6
This serpent in Genesis is described as arum (aw-room') "crafty, shrewd, sensible, prudent, subtle"/ arom (aw-ram') "to be shrewd or crafty," which we could say would make him a "smooth" character, and this smoothness has a connection to arom (aw-romé) "naked," which would be something that is smooth as well (not covered with fur). He was very open in telling Eve the truth, but he was very crafty because his words had double / diable / devil meaning, so his words were deceptive and ensnared her. He didn't force her to eat the fruit, he instead tricked her into thinking it was the right thing to do. Remember Eve/Chavvah "life" was perfectly innocent and without sin when she ate the fruit; she was lured into a trap.
A snakey finger trap
Adam and Eve, in this story, represent innocent states of a polarized masculine and feminine perspective They are the two sides, ish "man" and isha "woman, wife, female," of adam "man." The tsela, translated as "rib," taken from the man, ha adam, Adam, was not one of his many rib bones, rather, it was one full side of man, it was one of a set of of two as the word is used in this passage from Exodus to describe the sides[ribs] of the tabernacle,
"Also make crossbars of acacia wood: five for the frames on the one side[rib] of the tabernacle, five for those on the other side[rib], and five for the frames on the west, at the far end of the tabernacle. Exodus 26:26-27
and the tabernacle itself is a representation of the human body [which is a fitting place for God to dwell].
From the one side, the feminine perspective, the woman understood that since the fruit was good for food (nutritious), it was pleasing to look upon (looked healthy and appetizing), and was beneficial to gain wisdom (a good desire) making one to be like God (a seemingly good desire, since they were in fact made in God's image and likeness) that it couldn't be bad to eat it. Why would God make a good, and beautiful fruit that would kill them? Why would God create a tempter? Eve trusted in the goodness of God and did not believe God would make anything to harm her, therefore the fruit that God made was good and would therefore be good to eat. Why would an all good loving God make an evil fruit? She was trusting in the absolute goodness of her Creator and his love for her. It is the reasoning and faith of a child. And, in fact, when she (the feminine) ate the fruit in this state of innocence, nothing bad happened. She remained innocent. It wasn't until he (the masculine) ate it, that any negative consequences then appeared.

Eve clearly was the one who decided the fruit was good to eat and ate it first. It doesn't go into detail about what happened after she ate it, but there was definitely a time when she had eaten the fruit and Adam had not eaten it yet, and nothing bad had occurred yet. Eve felt fine after eating it and this is why she offered it to her husband. Her conscience was clean at this point. However, here Adam was secondarily tricked by the devil's ruse. Adam had not reasoned to the same conclusion for himself as Eve had. He, in fact, acted without permission from his own authority and simply did what she had done, because she had done it. He mistakenly thought that since Eve had done it and nothing bad had happened that he could do it too. But this action upset the hierarchy of his own internal masculine and feminine, that is the "husband," his head, was not acting as the head (leader). Eve was tricked into to reasoning out [that is, HER head said] that it was OK to eat the fruit. Her conscience was clean. Adam was tricked into foregoing his reason [his head] by doing what his wife had done, simply because SHE had been able to do it. But Adam should not have subjugated his own reason to the reasoning of his wife when it went against the authority of his own conscience [his own voice of God]. Adam himself believed it was forbidden by God to eat the fruit, and that if they ate it they would die. Eve didn't know that her reasoning was not sufficient reasoning for her husband to follow for himself. Eve had the right innocence and purity of conscience to eat the fruit and not have it be a sin, believing wholeheartedly that her Father in heaven who loves his creation is all good and only made good things, so he wouldn't have made anything to be in the garden that would harm her. But Adam did not share this reasoning; rather, he knew it to be wrong to eat the fruit. So, it was after Adam ate the fruit that they BOTH began to feel shame for what they had done. When Adam (the head) felt guilty for eating the fruit, then Eve too felt shame (in her head) and believed she must have done something wrong.

This is a very clever trick indeed! When Adam felt guilt for what he had done because he had not let his reason rule [he had not respected the voice of God in the form of his conscience], his action came to the light as a sin for him, and when Eve saw his shame and experienced his regret and disapproval of their action of eating the fruit, she felt guilty for of having given him the fruit to eat and being the cause of this darkness, and also felt the shame of her own seemingly deficient reasoning. Their eyes became *weid- ("to see") open.
Eating the fruit in this story would be equivalent to the sun going to sunset (going to darkness) in the ancient Egyptian mythology, when Nut "Sky," who was also associated with Hathor/ ḥwt-ḥr "House/temple of Horus (the mother/consort of the reborn morning sun/Ra, rising from the horizon )" and Isis / [Egyptian] ist / ꜣst "seat, place," of the sun, (who were) the mother of the living [Eve/Chavva] or life [Ankh], this goddess swallows ["eats"] the sun(Ra) in the form of Tem /Atum, thus beginning his journey through the hours of the night (adversity),
Nut as the Night Sky shown ingesting, gestating, and giving birth to the Sun [the red disk], Papyrus copy based on late Egyptian temple at Denderah, Getty Images before he defeats the forces of chaos, aka, the world serpent Apep/Apophis, and is reborn as the morning sun, as discussed in the preceding card, Temperance XIIII.
From this ancient Egyptian story it is more clearly illustrated, than in the biblical story, how it is proper for the feminine to be seeded (to eat the fruit) because a woman as woman is able to give birth and a man as man is not able to give birth . . . unless his head is smashed open like Zeus.
In the story of Zeus, Zeus swallows his wife Metis, literally meaning "advice, wisdom, counsel; cunning, skill, craft" (who had already "eaten the fruit," that is she was already seeded, i.e., she was pregnant), and so Zeus is then secondarily seeded through his wife (which bears some resemblance to the story of Adam taking the fruit from his wife who had listened to the "metis[cunning]" snake). Zeus then is in great agony until giving birth to Athena (gaining the goddess of wisdom) through his head.
Illustration from D'Aulaires' Book of Greek Myths, p36
So, if we compare Eve "mother of the living" with the ancient Egyptian sky goddess (Nut/Hathor/Isis), when she eats the fruit she is brining upon sunset and the experience of darkness immanently just as when the sun sets, it is "swallowed" by the sky and this brings upon darkness. When the woman (Eve) ate this fruit she was impregnated with the seed of wisdom which then necessitated the experience of pregnancy and birth/labor as a result of the seeding. When the man ate the fruit that the woman had eaten, he had to journey (a toil/labor) through the perilous hours of the night like the sun/Ra, or the son of God, which is a death and rebirth experience and is definitely a real headache! Meanwhile the sky (the goddess, Mother of God, the new Eve) gestates and gives birth to the sun, the new Adam, the new man, the savior of the world, the Christ, the son of God at the dawn of the new day (that is, she provides a place by being a place [a seat/throne/tabernacle for wisdom] for this internal journey to take place, the night sky, the underworld, the realm of the subconscious). This is not just a story about the literal and physical phenomena in the sky, but also an archetypical story explaining the inner processes of a human being transitioning from the innocence of spiritual childhood through to spiritual adulthood within the course of the Day of life.
In the same way a child is naked but is not aware of their nakedness, Adam and Eve at first were not aware of their nakedness. The first knowledge that came to them after eating of the fruit of the Tree of Knowledge of Good and Evil was the knowing (yada) that they were naked.
Then the eyes of both of them were opened, and they realized they were naked; so they sewed fig leaves together and made covering for themselves. Gen. 3:7
Arom (aw-romé) "naked" is from ur (oor), "to be exposed, bare," which is similar in sound to or (ore) "a light"
And God said, "Let there be light, and there was light." Gen. 1:3
So, perhaps things that are exposed / bare / naked [ur] are things that are in the light [or], or they are not covered. And this would connect these naked/shrewd words from Hebrew with the Germanic gl- words, from *ghel-, meaning "to shine," like Lucifer is the shining light, and he is also the smooth(arum) talker, the deceiver, and he does this not by force or chains of iron, but by cunningness, or a glam/glamour, like light silken ribbon, talking with openness which we could say is talking with nakedness. He got Adam and Eve to step out into the light 👁👁 💡🧠 and they saw that they were mere creatures (created beings) made in the day (the cycle: light, dark, light) and therefore subject to change, which they thought made them less than God and they were ashamed.
Shadowscapes Tarot - Stephanie Pui-Mun Law
Loosing independence, addiction and enslavement, caught up in the material realm, overindulgence, choosing to stay in the dark, pleasures, lust, and desire. Feeling hopelessness close in and limit he options. The Devil plays on your desires with a masterful touch. Break free from the puppeteer's strings by looking beyond the material blockades and temptations.
It's really a smooth trick because simply by having the experience of bad/evil, Adam and Eve became sinners due to their interpretation of the experience. They thought that the experience of adversity was a punishment for disobeying God, and they willingly took on the silken ribbon bonds of shame. The "barely anything" of their transgression became the source of forever damnation; a bond stronger than the strongest metal chains. They lost trust and faith in the love of their creator when in actuality nothing can separate any of us from the love of God.
"I, even I, am he who blots out your transgressions, for my own sake, and remembers your sins no more. Is. 43:25
I have swept away your offenses like a cloud, your sins like the morning mist. Return to me, for I have redeemed you. Is. 44:2
All they had to do was believe in the love of their creator as Eve had initially done in her innocence. Instead, they saw their nakedness as something to be ashamed of, rather than seeing their smoothness as a sign of their light: their intelligence. This led them into a fall from grace which spiraled out of control and still binds us to this very day. It is entirely understandable how this could happen since it is perplexing to think why, if God loves us, he would create a world where we all experience evil. It doesn't seem like a loving thing to do. However, when we realize that we were made to be like the one who made us, that is, we were made to be like God, then it is makes sense that we must also have the knowledge of evil to be like God, because God HAS knowledge of both good and evil.
So the the deception of the devil, like the smooth rope, Gleipnir, holds our animal/wolf (creature) nature in bondage until the gloaming of the Gods, Ragnarok, the "destined end of the gods," when we will take on the responsibility of our own divinity, that is, Christ Consciousness; the birth of Christ in us, and conduct ourselves accordingly, not by being bound by imposed rules and regulations, guilt or shame, but instead by enlightened self mastery (spiritual adulthood).
The name Devil, is from Ecclesiastical Greek diabolos (from dia "across, through"+ ballein "to throw") meaning "accuser, slanderer," which is from "a scriptural loan-translation" of the Hebrew satan," which has the meaning "adversary." That definitely sounds like someone who would throw you under (the bus, or into hell) as well.
Spolia Tarot - artwork by Jen May, design by Tara Romeo, written by Jessa Crispin
The Devil as the Devil is not interested in liberating, even if succumbing to temptation can end up being a great teacher and a catalyst for liberation. There is nothing benevolent about the Devil's motives. When he seduces you to the fall he is hoping that you never get back up again. He only exists as the ruler of the dead end, eternal darkness/damnation. In the day he has no place because the darkness which is part of the day(day☀️ [night 🌚] ☀️morning) is surrounded by the light, so is not eternal darkness and therefore not evil. When the lights come back on to complete the day(the sun rises / morning), it's lights out for the Devil. His reign over eternal darkness comes to naught and evil vanishes like a mist.
The Devil is alarmed by the first signs of daylight. Fantasia, Night on Bald Mountain, 1940
The devil is only the product of the fact that when we get too out of balance in any direction we cease to enjoy anything. We abhor becoming limp (too little tension) . . . yet we also abhor pain and love pleasure. The state of pure bliss we desire is hard to hold on to, it is ephemeral like the aroma of orange blossoms in the breeze on a perfect spring afternoon. Scent is very alluring and magical, yet if you try too hard, if you try and seize the beauty and cling to it, it escapes you. The longer you smell something the less your brain registers the smell, or in the extreme, smell can turn to evil; more is not always better. For example, one drop of essential oil can smell amazing and produce a magical bliss of emotions, but a whole handful placed to the nose produces nausea, and extreme aversion. The quantity of the scent must and needs to remain small, and the duration of smelling fleeting in order to be most profoundly enjoyed. When it remains so, it is a beautiful thing ,. . . otherwise it becomes unsatisfying or even evil. We have to recognize it, breath it in, love it and then let it flit away like a butterfly.Salvador Dalì Tarot
In this way we could say that aroma is arum "subtle," so then perhaps too it is arom "naked," that is, "smooth" like the serpent in the garden. Aroma is alluring as are the temptations of the devil. Aroma is odor, originally meaning "sweet smell, scent, fragrance" which is from PIE *hed- "to smell," which is similar to Greek hēdys "sweet," and hēdone "pleasure, delight, enjoyment." It's frustrating to want pleasure but not be able to own it. Instead the hēdone can own us. Instead we must trust the pleasure to come and go as it does. We have to enjoy it for just a moment, a time, or a season and then let it go /die to it (for a time). We have to be OK with change and movement. But for some, it is so uncomfortable to not be in control that they are willing to forego goodness, just to have a firm placement. That would be hell. In hell you don't have to worry about being better, you don't have to work hard at anything, you don't have the constant push and pull between pleasure and pain. Instead you can just sit and wallow in your misery eternally. There isn't anything complicated about that. . . And you can hate. You can hate God. You can be be the victim. And it won't ever stop . . . 'til you wise up.We can only manifest what we believe is possible. If we are fooled into thinking that we are a prisoner with no means to ever escape we can exist in a kind of eternal hell. We are bound there until we believe we can be free, and this can stretch on eternally. We have this idea that we suffer because we are sinners. But what if we instead we say that we suffer because it is an experience. It is an experience which gives us the knowledge of evil.
A new Eve had to come along who would have such innocence of faith that she would view any darkness that she had suffered in her life, not to be the result of her own personal sin. She is the immaculate conception; she is she who is born without sin, and therefore she is she who allowed herself to believe that she was worthy to give birth the son of God because God had made her so, despite the fact that she was a mere mortal. Due to this acceptance, fiat, on her part of God's will, the "sun" (son) had a place to gestate and be born from creating the cycle of the day which turns the experience of darkness to light and envelops it in the safe confines of the Day: evil and Eve's ill being defeated.

The savior that is born, God made man, then, incarnates to show us how to get out of our own way. It isn't this savior who heals us, but it is God in us who heals us through our own faith. Jesus attests to this when he says, "Your faith has healed you." Mk 5:34, Mk 10:52. However it is Jesus/Yeshua, the Christ, who gives us reason to believe that we can be healed. It is Christ who allows us to believe again that God actually loves us and that we don't need to continue in a state of separation. This is what he died for to prove to us.
It is for freedom that Christ has set us free. Stand firm, then, and do not let yourselves be burdened again by the yoke of slavery. Gal. 5:1
Freedom, however, is never the purpose of the Devil.
Lost in the valley of the night
It is the music of the people who are climbing to the light
For the wretched of the earth
There is a flame that never dies
Even the darkest nights will end and the sun will rise
They will live again in freedom in the garden of the LORD
They will walk behind the ploughshare
They will put away the sword
The chain will be broken and all men will have their reward!
Will you join in our crusade?
Who will be strong and stand with me?
Somewhere beyond the barricade is there a world you long to see?
Say, do you hear the distant drums?
It is the future that they bring when tomorrow comes! - Les Miserables, Finale