Thursday, March 13, 2014

Kala the Wild



In this modern age of smart phones we might think of the word "call" as being a really ordinary word. I make lots of ordinary phone calls. I call people I don't even want to talk to, in order to make appointments for things that I wish I didn't have to, like getting braces for my kids. I call about these things, yet these things do not call to me. Like a wolf howling to the sky at the full moon those things do not summon me. We are animals filled with longing. We long for the beauty, goodness and pleasantness with seems to elude us in this life. The wild softly summons us with its melody to teach us about beauty; a true beauty that is not found in the world, but rather in the fulfillment of the desires of our hearts. The call of the wild in our hearts is tinged a mournful tune until we reach paradise. 

In Old Norse kalla is "to cry loudly," and kaleó καλέω in Ancient/Koine Greek is "call, invite, summon."

Calls can be made with flutes or pipes. Reed pipes are often portrayed in Ancient Greek art. "Reed, reed-pen, measuring rod" in Greek is kalamos κάλαμος (kalama Sanskrit, calamus Latin).

A bird's song is also said to be its call. They are often beautiful songs like the call of the Calandra LarkCalandra / Kalandra is derived from the Ancient Greek name for the lark, i.e., kalandros. It is a bird found around the Mediterranean and eastwards though the area that was once known as Mesopotamia and north into Scythia, which is Southern Russia. Its habitat is open plains, steppes and pastures. Syrinx is the name for the vocal organ of birds, i.e., the lower part of their windpipe.

Syrinx Σύρινξ was a beautiful wood (in Cornish, celli "wood") nymph who was pursued by the god Pan, though reluctantly. A Pan Pipe, is a type of reed pipe which is called a syrinx. In mythology Pan made the syrinx / Pan pipe from the reeds which Syrinx, his object of desire, was turned into. 

    Pan Pipes/Syrinx

She was turned into reeds to escape Pan. Then when Pan heard the soft sound of the wind whistling / singing over the reeds he made a flute out of them to have her with him. Perhaps the music of the pipes reminded Pan of his yearning for Syrinx and her beauty, kalós "beautiful, good, noble" in Ancient Greek, origin of the name Kala. But perhaps he also thought her callous for refusing his advances.

    Pan and Syrnx, Jean Francois de Troy 1722-1724, J. Paul Getty Museum

Because of Pan's pursuit and desire for her, Syrinx was transformed into a reed (kalamos) quite a calamity for her.
You know Syrinx disregarded fiery Kythereia[Aphrodite], and what a price she paid for her too-great pride and love of virginity; how she turned into a plant with reedy growth substituted for her own, when she had fled from Pan's love, and how she still sings Pan's desire! -Nonnus, Dionysiaca 42. 363 ff
The "place of reeds" in ancient Egyptian mythology was considered to be heaven, the best place, paradise. It was called Aaru and was described as a field of reeds in the east, where the sun rises. Aaru jꜣrw has the meaning of "rushes, reeds" in ancient Egyptian.

For the Greeks the best place, heaven, was called the Elysian Fields, a place of plenty and blessedness. Perhaps it was like Cana, insofar as it was a happy place, like Cana, the location of the wedding festival and Jesus' first miracle in the bible. Cana is from Greek Kana Κανά and is said to mean "place of reeds" likely taken from Hebrew qaneh "reed, stalk, cane, rod, branches." 

This(i.e., reeds being associated with the good), reminds me of the ancient Egyptian nefer, nfr hieroglyph. The nefer hieroglyph was used to represent the ancient Egyptian concept of beauty / the beautiful / goodness. The symbol is generally believed to represent a stylized sheep's heart(due to its markings) + trachea / windpipe ("reed"). So we could say it is a symbol with something like a kalamos (reed)," and has a similar meaning to kalós (beautiful / good). But what does this symbol have to do with beauty? 


    nfr - nefer

There is not a clear explanation of the origin of this symbol. However, it had many extended meanings and the specific shape was used for amulets, jewelry and other objects, as well as the hieroglyph. The symbol did not just mean beauty and goodness as a word, it also conferred meaning through its form. So what was it representing through its form?
It seems possible that it could have represented something like *the word of the god expressed from the calling of his heart*.

A word is spoken from the larynx located in the trachea. In Egyptian mythology it was said that the primordial god Ptah conceived of creation in his heart and spoke it into being through his mouth. And it is not just any word that comes from the mouth of God, it is the Perfect word . . . and that Word is the Beautiful and the Good, i.e., nefer
It is said that word's come from the wellspring of the heart.

The good man out of the good treasure of his heart produces good(nefer), and the evil man out of his evil treasure produces evil; for out of the abundance* of the heart his mouth speaks. Luke 6:45
The mouth speaks what overflows (*perisseumatos περίσσευματος "abundance, overflow") or comes out of the heart. The heart was viewed as seat of the personality in ancient Egypt. So in this way the heart and trachea can be said to be connected. However, why then a sheep's heart and not a human heart for the symbol?

Khnum/Khnemu ḫnmw (from 
ḫnm meaning "to join, unite; build"), the god of the waters, and thus also the silt which formed the fertile soil and clay of the Nile Delta region, was the "Divine Potter" who created man out of clay on his potters wheel and placed them in their mothers wombs. He was depicted with the head of ram (ba is "ram" in Egyptian, and ba was also "soul," being one of the five aspects the soul). So the nefer symbol had a ba heart, i.e., a ram's heart, which would also call to mind the ba "soul". 


    The Ba of the dead person hovers over his mummy clutching a shen-ring

In later periods Amun / Amon / Amen-Ra(the "concealed/hidden" one) took prominence as the chief creator god. Amun was also sometimes depicted as a ram, or with a ram's head. So the chief god was depicted as a ram (sheep) therefore it would not be too far out to say that the sheep's heart in the nefer symbol represented the heart of God. Then the whole symbol would represent that which proceeds from the sacred heart, i.e., beauty / goodness.


In Hebrew towb/tobe/tov/tova means "good, better, best, beautiful, pleasant, agreeable, sweet". The Lord(Yah) is Towb where we get the name Tobiah / Tobias(towb yah). So, towb is used to describe God, and it is also used to describe the knowledge of the tree in the Garden of Eden. The tree in the midst of the garden was called "the Tree of the knowledge of towb and ra'".

Calista / Kalistos, means "fairest, most beautiful" in Greek, she was a nymph who took a vow to remain a virgin, however Zeus disguised himself as Artemis (Diana) to lure her into his embrace. She then became the mother of Arcas and ended up being turned into a bear. 

    Diana and Calysto 1559 Titian, national Gallery of Scotland 

Now Calista resides in the heavens as the Great Bear(momma bear), Ursa Major.

Calla lily means "beautiful flower," also called Arum Lily, "naked flower," Trumpet Lily, and Pig Lily. The Calla Lily, although considered to be neither a true calla nor a true lily, is said to be "naked" achlamydeous (literally "without a cloak") in botany because it is lacking petals and sepals. 

    Calla Lilly, Zantedeshia aethiopica

Calla Lilies are often used at both weddings and funerals. They are generally considered to be symbols of purity and rebirth. Yet they remain somewhat bawdy in their "nakedness". . . or at least alluring. 

Nefertem was the ancient Egyptian god who represented the lotus flower which arose from the primordial waters. He was known as "He who is beautiful" and Water-lily of the Sun," he was the morning aspect of Ra blooming / reborn as the Nymphea cerulea, Blue Water lily / Egyptian Lotus, every sunrise. 


    Nymphea cerulea- Blue Water Lily/Egyptian Lotus

He was associated with the beautiful scents of the lily and other flowers, and with the first morning sunlight. The Blue Water Lilly arises each day out of the murky, muddy depths, beautiful and alluring. 

Calidus  means "warm, hot" in Latin, and calor is "heat", from
PIE root *kele-(1) "warm." Warm is good and beautiful (kala) when you have been out in the cold and finally come in and take a nice soak in the hot tub or cozy up by the fire. Warm is like home.

    The Runaway Bunny, pictures by Clement Hurd- "I will become your mother and catch you in my arms and hug you." - photo by Julie O. /chtonickore

In her more gentle aspects, Kali is a mother goddess. However, she is a mother who is able to fiercely protect her children. Kali means "the dark / black one," she who is "beyond time." She is associated with Shakti "Power, Empowerment" (from shak "to be able", ie., can, from Old English cunnan "be able, know, have power, Old Frisian kanna) and is the goddess of time and change. She is the counterpart of Shiva, the destroyer, who is called Kala meaning "time, black/dark, death. Her name, Kali, comes from kala.  

    The Goddess Kali standing on Lord Shiva

Kali is kind of beautiful (kala) despite being so wild and foreboding. And from the look on Shiva's face I'd say he was enjoying his predicament. Perhaps he finds something about Kali's fiery nature alluring. She is a woman who can get things done. Maybe he's met his match, Caliente!
I am dark but beautiful, O Daughters of Jerusalem- dark as the tents of Kedar, dark as the curtains of Solomon's tents. Song of Solomon 1:5
Lovers yearn for each other. The beloved calls to the beloved. They are consumed by their love for each other. This can lead to the end or destruction of one, or the other. Kaleh in biblical Hebrew is translated as "yearn," from kalah "finished, annihilate, accomplished, been consumed, complete, destruction, devoured, at an end." An encounter with Kali can definitely bring a man to kalah (destruction). Time to meet your maker. But that's not always a bad thing, right? To discover or become the Shiva or Christ within, a certain destruction is necessary.
Amen, Amen I say to you, unless a grain of wheat falling into the ground die, itself remaineth alone. But if it die, it bringeth forth much fruit. He that loveth his life shall lose it; and he that hateth his life in this world, keepeth it unto eternal life. John 12:24-25
Kali is beautiful, yet fierce, like a shrill battle cry that invokes dread or the terrible drone of the bagpipe.
In fact the Old Irish meaning of Caellach (one possible origin of the name Kelly) is "war, strife, lively, aggressive," and Old Norse kalla is "to cry loudly".

Kali seduces you to your destruction.

    Siren with Reed Pipe/Aulos and Cane(?)- Thomas Bulfintch, The Age of Fable, 1897

Sirens were dangerous yet beautiful. To listen to their call meant death. They lured men in with their enchanting mournful song, then the unwary travelers were dashed against the rocks, shipwrecked, or simply driven into a deadly torpor. The voyagers were so high on beauty, they would forget how to do anything, neither steer their boats, nor even eat, to their ultimate demise.

    Seiren, Agent of Death

Siren (Seiren Gk.) is possibly from Greek seira "chord, rope," meaning something like "entanglers, binders." They lure or rope you in with their eloquent song, and  then you wither up and die. Searian is Old English "dry up, to wither". 

Kalupto/Kalypto has the meaning "to cover, veil, hide, conceal, envelope; deceive" in Ancient Greek. Calypso Καλυψώ "she who conceals." 

    Odysseus  and Calypso, Arnold Bocklin, 1883, Swiss Symbolist Painter

Odysseus was seduced and drawn in by Calypso, but after a while came the apocalypse from Greek apokalyptein "uncover, disclose, reveal." After the dis-clothes-ing or unrobing and consummation of his desire he realized that he needed to leave that place and get back home to Penelope. He did not feel called to be Calypso's immortal husband.

Sometimes an unveiling can feel like the end of the world.
Jesus called ("kaleo") his disciples and they left their former lives to follow him. However, he was actually leading them to their death. Was this a good or bad thing? You be the judge of that, but make no mistake, they were never going to be the same. You could say that Jesus was a destroyer (Shiva) and deceiver (Calypso). He lured in his apostles when the mission was concealed (kalypto). He preformed all sorts of wonderful miracles, was eloquent, and was and all round awesome guy . . . then bam-o! He's being crucified, and the apostles are scared out of their wits. Afterwards most of them ended up being tortured and killed. But that revelation (apokolypsis) came after the initial calling / seduction, and then it was already too late. They were hooked.  

Pieter Pietersz the Elder - The death of st. Peter and st. Paul - circa 1569
Pieter Pietersz the Elder, also Pieter Pietersz. (I), (1540–1603) was a Dutch Renaissance painter.
Pietersz was born in Antwerp. According to Karel van Mander, who mentioned him in his biography of his father Pieter Aertsen, he followed in his father’s footsteps but took to portrait painting because large commissions were not to be had. Van Mander did mention a large painting for the Baker’s guild of Haarlem, which is in the possession of the Frans Hals Museum today, and which Van Mander described as very fiery and original. He died in 1603 at age 62.
According to the Rijksmuseum, he married the daughter of a glass painter in Haarlem in 1574.
According to the RKD he was called “Jonge Lange Pier” as the oldest son of the painter Pieter Aertsen (“Lange Pier”). He was the older brother of the painters Aert and Dirk Pietersz, and grandfather of the painter Dirck van Santvoort. From 1569 to 1583 he produced religious scenes in Haarlem, but he is mostly known for his market scenes produced in Amsterdam. He was the teacher of his son, the painter Pieter Pietersz II, and the painter Cornelis van Haarlem. Pietersz primarily painted portraits and altarpieces. He received many commissions and was a wealthy man at the time of his death in Amsterdam.
Pieter Pierterz the Elder c 1569, Dutch Renaissance painter, Death of St. Peter and St. Paul

However, the purpose of it all was salvation, to partake in Christ and to become God. We are called to share in Christ's nature and become gods.
The only-begotten Son of God, wanting to make us sharers in his divinity, assumed our nature, so that he, made man, might make men gods. -St. Thomas Aquinas, Opuscula 57:1-4. From Catechism of the Catholic Church 460
In ancient Egypt the shen hieroglyph was a stylized rope with a loop in it, meaning "protection." In the ancient world the shen-ring was a symbol representing eternal protection. The shen is a place enclosed, like "paradise" from ancient Greek paradeisos "park, garden, paradise," from an Iranian source similar to Avestan pairidaeza "enclosure, park"[OE].

Here is an image of Inanna or some say,  or Lilith (Hebrew "night demon," possibly related to the Babylonian concept of the Mesopotamian Lilitu, a class of female demons) holding two shen rings.

    Queen of the Night/Burney Relief, Mesopotamian terracotta, c.1800-1750 BC, British Museum, London, shown with shen rings

The Hebrew letter ש shin/sin can represent fire (esh aysh) and Shekinah שכינה (from verb shaken meaning "settle down, abide, dwell.״ Shekinah is a grammatically feminine name used to denote the dwelling or settling of the divine presence of God. 
Now the appearance of the glory of the LORD was like a devouring fire on the top of the mountain in the sight of the people of Israel. Exodus 24:17
      Letter Shin (reminiscent of a Cala Lily, and also a candelabra, trident, or wings?)

The shin is said to stand for Shaddai "Almighty," one of the names of God that YHWH gave of himself to Abraham, "I am God All Mighty [El Shaddai]; walk before me and be blameless (Genesis 17:1)," from the root shadad "destroyer." It is indicated in the posture of the hands in the Priestly Blessing (Birkat Kohanim).

    Priestly Blessing- Mosaic at Synagogue of Enschede(detail), Netherlands

Why would God come down and dwell with men?
"For the Lord's portion is his people, Jacob his allotted heritage." Deut 32:9
One's dwelling place is his home and his portion. God's home, his heaven, place of rest (shabbat) is with his people. And the home of his people is with God. Heaven is the home of their desire / heart.
"The Lord is my portion," says my soul …  Lam 3:24
Remember heaven is Aaru, the Field of Reeds (aaru). And Cana has the meaning "place of reeds." Late Latin canna is "reed," it also has the meaning "small vessel / gondola." Maybe this is canna in the sense of a safe enclosure, like the haven of the reed barque of Ra, or a home in the eternal abyss/ waters.

Papyrus Reed Solar Barque (Barque of Ra), on pt "sky/heaven" glyph, at gateway to Nuit / Nut (goddess who is the starry night sky)

There is something about eternity that is really quite frightening. It's just SO big! We might actually choose to keep / confine ourselves to one portion of it. However, we don't want that portion to be a prison (like Calypso's island). In Hebrew kala also has the meaning of "shut up, restrain, withhold." And from this kala comes the word kele "prison, confinement, imprisonment." When parents try to protect their children they may put their own "shen" protective ring around them, but it can seem a bit like a prison. Maybe more like a lasso rope than the shen. Cloister is perhaps a little more of a benevolent word than prison, being from Latin claustrum "enclosure, place shut in," but still, what we desire is heaven, a paradise, so it would have to be the perfect enclosure; the cloister that is in NO anyway confining, but more like perfection; an un-cloister, or un-prision (more like Disneyland). 

 NASA MODIS compound photo, 2002Spaceship Earth is our Cloister in the Abyss of Space, but feels like an Un-Cloister. Earth is Not a Prison Planet

Maybe like a perfect / ideal marriage or union, i.e., a binding that does not bind or limit. Instead it is comfort, the heart's desire, beauty (kala, nefer, towb), and protection, i.e., a home, om, eternal dwelling place, where we are "limited," but only to goodness. 
"Behold the dwelling of God is with men. He will dwell with them, and they shall be his people, and God himself will be with them; he will wipe every tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain any more, for the former things have passed away." Revelation 21:3-4
Yes, f*ck the chaos. I would like to retire to a beautiful paradise, or heaven Earth when I'm done with all this.

Amen


14 comments:

  1. I wonder what differences exist between the meanings of the word 'wild' in modern English and modern life versus the meaning and etymology of the Greek word agrios. Apparently, the Goths had the word wilpeis which became old German wildi. But at the same time (I think), the Romans had the word paganus for the villagers remote from Rome, the conquered, the word evolving over time to portray the connotation of 'heathen'. Maybe I missed it in this article, but did you mention what was the ancient Greek word for wild? Did they even have that concept the way we do today? That's the part I'm really interested in...when did our separation from the wild begin? Was it with agrios, agriculture?

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    1. interesting, thank you. I didn't go into that in this post, but it does lead to wonder about it. Right off from a quick search, it appears to me that the word "wild" and "girl" come from the same root…oooh…i'll see what i can see and post later :)

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    2. The well is too deep. I think I'll just have to do another post on it. But you'll like this - therion is the Greek word for "a wild beast, animal, brute", thera "hunting, trapping", theron "hunter, untamed".

      There seems to be the notion in the ancient mind of the untamed, wild, wilderness, desert, jungle areas, wasteland, vastness, being the "uncultivated land", so associated with chaos, yin, darkness which came to be vilified(<--even this word is from 'rustic'), as people began to practice agriculture, move into big fortified cities and become civilized. However, this safety and more abundant food supply can lead to aggravation as well...

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    3. so, the lesson in all this is not that chaos, yin, darkness is bad…it only appears to be bad if you don't have a home. No one wants only night, however, when it is wrapped in the loving embrace of the day, night can be appreciated. It is just too awesome on its own for us to handle, like the ocean. If you found yourself out in the middle of the ocean in the water, naked and alone, it is scary! and one might even call it evil. But it is not evil, you just need a boat. Where would our beautiful blue planet Earth(our home/paradise in the wild of space) be without the vast sea? it would be more like Mars, and Mars sucks as far as living condition go. Our "world" can become like Mars rather than Earth, and the wild can remind us that we long for more…not that we want to live in the "wild", but we need to love and cherish it when we build our home, not call it evil. The yang and yin need to stay in a loving respectful relationship. It's an undulation/vibration that creates harmony. Without movement there is no music.

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    4. You've got a point there, making a home is so critical! And what does that even mean? ...not like having a fancy house qualifies as a happy home. Maybe --home-- fits somehow into the --wild-- post.
      And then, Thera Therin Theron Therion, you're right, it makes me happy :)

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  2. You are the best Capricorn Sag Sag Sag.. EVER

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  3. Will you please write/create a book for us? Limited edition?

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    1. I think I will. Who knows what you'll get. But it will certainly be limited edition and unordinary.

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  4. The runaway bunny followed by Kali? I love you forever!

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  5. i love your questions skinnyrope:) ps what is a skinny rope?

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    1. hmmm, I guess it's like something that isn't quite what it is, or something. But it's snakey, that's for sure.

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